Man-woman relationships -- Drama; Marriage -- Drama
MARCHBANKS (passionately). No, answer me. I want to know: I MUST know.
I can't understand it. I can see nothing in him but words, pious
resolutions, what people call goodness. You can't love that.
PROSERPINE (attempting to snub him by an air of cool propriety). I
simply don't know what you're talking about. I don't understand you.
MARCHBANKS (vehemently). You do. You lie--
PROSERPINE. Oh!
MARCHBANKS. You DO understand; and you KNOW. (Determined to have an
answer.) Is it possible for a woman to love him?
PROSERPINE (looking him straight in the face.) Yes. (He covers his face
with his hands.) Whatever is the matter with you! (He takes down his
hands and looks at her. Frightened at the tragic mask presented to her,
she hurries past him at the utmost possible distance, keeping her eyes
on his face until he turns from her and goes to the child's chair
beside the hearth, where he sits in the deepest dejection. As she
approaches the door, it opens and Burgess enters. On seeing him, she
ejaculates) Praise heaven, here's somebody! (and sits down, reassured,
at her table. She puts a fresh sheet of paper into the typewriter as
Burgess crosses to Eugene.)
BURGESS (bent on taking care of the distinguished visitor). Well: so
this is the way they leave you to yourself, Mr. Morchbanks. I've come
to keep you company. (Marchbanks looks up at him in consternation,
which is quite lost on him.) James is receivin' a deppitation in the
dinin' room; and Candy is hupstairs educatin' of a young stitcher gurl
she's hinterusted in. She's settin' there learnin' her to read out of
the "'Ev'nly Twins." (Condolingly.) You must find it lonesome here with
no one but the typist to talk to. (He pulls round the easy chair above
fire, and sits down.)
PROSERPINE (highly incensed). He'll be all right now that he has the
advantage of YOUR polished conversation: that's one comfort, anyhow.
(She begins to typewrite with clattering asperity.)
BURGESS (amazed at her audacity). Hi was not addressin' myself to you,
young woman, that I'm awerr of.
PROSERPINE (tartly, to Marchbanks). Did you ever see worse manners, Mr.
Marchbanks?
BURGESS (with pompous severity). Mr. Morchbanks is a gentleman and
knows his place, which is more than some people do.
PROSERPINE (fretfully). It's well you and I are not ladies and
gentlemen: I'd talk to you pretty straight if Mr. Marchbanks wasn't
here. (She pulls the letter out of the machine so crossly that it
tears.) There, now I've spoiled this letter--have to be done all over
again. Oh, I can't contain myself--silly old fathead!
BURGESS (rising, breathless with indignation). Ho! I'm a silly ole
fathead, am I? Ho, indeed (gasping). Hall right, my gurl! Hall right.
You just wait till I tell that to your employer. You'll see. I'll teach
you: see if I don't.
PROSERPINE. I--
Public-domain text, read in full here on John Shaqi.
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