African Americans -- Fiction; Southern States -- Fiction
Perhaps five years passed. The business of hunting a job or something
or other had bruised my vanity so that I could recognize it. I felt
old. Avey and my real relation to her, I thought I came to know. I
wanted to see her. I had been told that she was in New York. As I had
no money, I hiked and bummed my way there. I got work in a ship-yard
and walked the streets at night, hoping to meet her. Failing in this,
I saved enough to pay my fare back home. One evening in early June,
just at the time when dusk is most lovely on the eastern horizon, I saw
Avey, indolent as ever, leaning on the arm of a man, strolling under
the recently lit arc-lights of U Street. She had almost passed before
she recognized me. She showed no surprise. The puff over her eyes
had grown heavier. The eyes themselves were still sleepy-large, and
beautiful. I had almost concluded—indifferent. “You look older,” was
what she said. I wanted to convince her that I was, so I asked her to
walk with me. The man whom she was with, and whom she never took the
trouble to introduce, at a nod from her, hailed a taxi, and drove away.
That gave me a notion of what she had been used to. Her dress was of
some fine, costly stuff. I suggested the park, and then added that the
grass might stain her skirt. Let it get stained, she said, for where it
came from there are others.
• • • • •
I have a spot in Soldier’s Home to which I always go when I want the
simple beauty of another’s soul. Robins spring about the lawn all
day. They leave their footprints in the grass. I imagine that the
grass at night smells sweet and fresh because of them. The ground is
high. Washington lies below. Its light spreads like a blush against
the darkened sky. Against the soft dusk sky of Washington. And when
the wind is from the South, soil of my homeland falls like a fertile
shower upon the lean streets of the city. Upon my hill in Soldier’s
Home. I know the policeman who watches the place of nights. When I go
there alone, I talk to him. I tell him I come there to find the truth
that people bury in their hearts. I tell him that I do not come there
with a girl to do the thing he’s paid to watch out for. I look deep
in his eyes when I say these things, and he believes me. He comes
over to see who it is on the grass. I say hello to him. He greets me
in the same way and goes off searching for other black splotches upon
the lawn. Avey and I went there. A band in one of the buildings a fair
distance off was playing a march. I wished they would stop. Their
playing was like a tin spoon in one’s mouth. I wanted the Howard Glee
Club to sing “Deep River,” from the road. To sing “Deep River, Deep
River,” from the road... Other than the first comments, Avey had been
silent. I started to hum a folk-tune. She slipped her hand in mine.
Pillowed her head as best she could upon my arm. Kissed the hand that
she was holding and listened, or so I thought, to what I had to say. I
Public-domain text, read in full here on John Shaqi.
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