Italy, of the middle ages, imbibed more of the Christian and chivalric element, threw off for a while imitation and subserviency to the past, and shone forth with brilliant originality in all the works of art. But she, like France, has relapsed into imitation of the antique, and falls far below either Roman or mediæval art. With the age of Cervantes, Spanish genius expired. His happy ridicule expelled the absurdities of Knight Errantry, but unfortunately expelled, at the same time, the new elements of thought which Christianity and Chivalry had introduced into modern literature. They were its only progressive elements, in the Latin nations of Europe, who in all else were mere Romans. Fenelon's Telemaque is a servile imitation of Virgil's Æneid, and that is an equally servile imitation of Homer. Each copy falls below the original. Nothing shows so strongly the want of originality and want of independence of taste and thought among these Latin nations, as their contempt for Shakspeare. He violates all the rules of Greek and Roman art, and erects a higher art of his own; but Frenchmen, Italians, and Spaniards, have no tastes and no ideas differing from, or in advance of, the ancients, and can neither understand nor appreciate the genius of Shakspeare. In Germany, he is almost as much read and admired as in England. Imitation, grammar and slavery suit the masses. Liberty and Laissez faire, the men of genius, and the men born to command. Genius, in her most erratic flights, represents a higher Grammar than Dr. Blair or Lindlay Murray--the grammar of progressive nature. To secure true progress, we must unfetter genius, and chain down mediocrity. Liberty for the few--Slavery, in every form, for the mass! The rules of art destroy art. Homer never could have produced the Iliad, had he learned grammar and rhetoric and criticism. 'Tis well for the world, he lived before Longinus. Euripides, Sophocles, and Aristophanes, and the Greek Masters in Sculpture and Painting, knew nothing of the rules of art and canons of criticism. Without the modern helps to art, Grecian art so far excelled ours, that it is a popular theory that they possessed an Ideal that has been lost. Early in the days of the Roman Empire, the rhetoricians, by attempting to teach eloquence by rule, so corrupted it, that the Emperors found it necessary to banish them from Rome. We are no doubt indebted to the ignorance of the ancients for the invention of Gothic architecture. No one taught to reverence Greek architecture, would have violated its rules by imitating the Gothic. When about the time of the Reformation, the study of the ancients was revived, each Gothic spire stopped half way in its course towards heaven. Mediæval art expired:--and now the world has no art, but basely copies the past.