Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the ScribblerHabberton, John
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Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the Scribbler
Habberton, John
Canoes and canoeing; Québec (Province) -- Description and travel
If a keel-boat hangs resolutely on an obstacle, there is nothing for
its occupant to do but to jump overboard, and the quicker the better,
if he wishes to keep his stores dry. In many cases such a boat may
swing free or be lifted clear by a powerful thrust of the paddle.
The canoeist's instinct is all that he has to tell him whether to
jump or thrust. With a keelless canoe the case is different as it
is comparatively rare that such an one will hang persistently to an
obstacle. It is often best however, to take to the water in order to
save the canoe from hard knocks and scrapes. In view of this necessity
for jumping overboard, some protection is necessary for the feet, and
there is nothing so good as the common canvas bathing-shoes with thick
soles of hemp or jute. An old pair of slippers is, however, far better
than nothing.
Upon the whole, the best policy is to sit as usual amidships and give
to rocks the widest berth possible. There is a pernicious doctrine in
some quarters, derived it must be confessed from English canoeists,
that in running rapids it is well to sit astride the canoe near the
stern, and lift her clear if she strikes by simply standing up on the
bottom of the stream, if it can be reached with the feet. The Purser
tried this once, purely out of patriotism, but did not make a very good
demonstration of its advantages, for he upset as soon as he ran out of
shoal water, or rather he took a ducking in order to save his stores
which would inevitably have been wet had he tried for an instant longer
to maintain his precarious seat. The rivers of Europe may admit of this
very unpicturesque mode of running a rapid, but those of America do not
take to it kindly.
Public-domain text, read in full here on John Shaqi.
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