Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the ScribblerHabberton, John
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Canoeing in Kanuckia: Or, Haps and Mishaps Afloat and Ashore of the Statesman, the Editor, the Artist, and the Scribbler
Habberton, John
Canoes and canoeing; Québec (Province) -- Description and travel
The keels of the Chrysalids, are a decided disadvantage in this
phase of canoeing. They give the canoe additional draught, and hang
with provoking tenacity upon any rock or other obstacle which they
encounter. The Red-Lakers on the contrary slide with an inch or more to
spare over an obstacle which would bring a Chrysalid to instant grief.
They turn far more easily, and hence can much more readily be made by
a quick swerve to one side or the other, to avoid a threatened danger.
The blindest worshipper of the Chrysalid model can claim nothing for a
keel in swift water, save that it receives the hard knocks which would
otherwise have scarified the more fragile bottom planks. This argument
in their favor is not good for much, as the keel cannot protect more
than two or three inches on each side, unless the obstacle happens to
be broad and flat. Under these conditions, it was to be expected that
the Rochefort would select with excellent judgment a place whereon to
demonstrate the advantages of her keel. It may have been at the foot
of Rapid No. 9, at any rate it was at the head of a comparatively
quiet reach of water where three of the fleet had drawn out of the
current with a view to luncheon. The Vice was the last to arrive, and
was sweeping boldly down where the current was swift and deep, having
passed the white water, when suddenly he was observed to bring up all
standing, his boat swinging round instantly across the current, having
fixed a malicious grip upon a hidden rock, over which the water boiled,
but did not break. The Vice was unceremoniously plumped out on the
down-stream side into water that was neck deep and running like a
mill-race, but as he wore a life-belt he feels justified in maintaining
that he did not go entirely under. He succeeded in getting a hold upon
the rock by the aid of his boat hook, and seated himself thereon,
holding his boat by the painter as she floated, full of water and only
sustained by her air-tight compartments, a yard or two below him. The
picture that he presented at this moment was comical in the extreme,
and he was heartlessly kept sitting there,--he could not very well get
off alone with his boat to manage,--while the Commodore made a sketch.
The regular artist was too much concerned at his friend's critical
situation to pay any attention to the calls made upon him for a careful
study. The current was so swift and deep that efforts to reach the
Vice by swimming were unsuccessful, so it became necessary to wade out
a few rods below him and catch his boat, when he let her float down.
He easily swam ashore when relieved of this charge, and once more the
Rochefort had to be emptied of everything, and all lay by for two or
three hours, while her owner and his belongings were spread out on the
rocks to dry, he discoursing, the while, until all fell asleep, of the
innate viciousness of a boat which could thus deliberately bring her
commander to confusion and shame.
Public-domain text, read in full here on John Shaqi.
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