The summons was solemnly read by the shrine, and when, after thirty
days, no voice or presence had issued from it, the case was formally
tried at Westminster, sentence pronounced, the bones of the defendant
were adjudged to be publicly burned, his treasures confiscated to the
Crown, and his name blotted out of every service-book. Strange as the
trial of a dead man may seem to us, it was not without precedent. So
had the dead Wycliffe been cited, and his bones burned. So did Queen
Mary to the dead Bucer. It is pleasanter to think of the Emperor
Charles V by the grave of Erasmus. A courtier proposed that he should
exhume and burn the great scholar "who laid the egg which Luther
hatched"; the Emperor's fine reply was: "I war not with the dead".
Long before these changes and troubles, when the Chapel of the Shrine
was the most honoured of the high places in the Cathedral, the Black
Prince was laid here as the most honoured of its dead; and it is a
testimony to the tenacious affection of the nation for his memory,
that no desecrating hand has ever been laid, even in turbulent times,
on his grave. The armour of the beautiful effigy has lost the gilding
which once made him a golden knight, but it is fresh and clear in its
outlines as it was in the fourteenth century. His helm, surcoat,
gauntlets, shield, and scabbard still hang above him; round his
resting place is the railing with its six tall iron posts for the
great candles, which were lit on the anniversaries of his death. What
tragedies and tumults would have been arrested by his strong hand, had
he lived, we cannot tell; but a more impressive monument to a more
beloved memory does not perhaps exist.
A few yards away lies the man who wrested the throne from the Prince's
son, Richard II, while Canterbury nave was building. Visitors
sometimes recognize in the portrait-statue of Henry IV, as he lies
beside his Queen, Joan of Navarre, a curious family likeness to King
Edward VII, witnessing to the persistence of Plantagenet blood. When
the vault was opened in 1832 its occupant was found to be in a
singular state of preservation, with a little simple cross, of two
twigs tied together, laid upon his breast. The monument is of rare
artistic merit, as is the chantry close by, which he built for "twey
preestes" to say masses for his soul.
Public-domain text, read in full here on John Shaqi.
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