There is a passage in _The Stones of Venice_ that should be in everyone’s mind when walking in any cathedral close: “Let us go together up the more retired street, at the end of which we can see the pinnacles of one of the towers, and then through the low grey gateway, with its battlemented top and small latticed window in the centre, into the inner private-looking road or close, where nothing goes in but the carts of the tradesmen who supply the bishop and the chapter, and where there are little shaven grass-plots, fenced in by neat rails, before old-fashioned groups of somewhat diminutive and excessively trim houses, with little oriel and bay windows jutting out here and there, and deep wooden cornices and eaves painted cream colour and white, and small porches to their doors in the shape of cockle-shells, or little, crooked, thick, indescribable wooden gables warped a little on one side; and so forward till we come to larger houses, also old-fashioned, but of red brick, and with gardens behind them, and fruit walls, which show here and there among the nectarines, the vestiges of an old cloister arch or shaft, and looking in front on the Cathedral square itself, laid out in rigid divisions of smooth grass and gravel walk, yet not uncheerful, especially on the sunny side where the canons’ children are walking with their nurserymaids.” Is not the atmosphere exactly caught and held? Then, as did Ruskin, look on the Cathedral itself. Up high soars the beautiful central tower, now known as Bell Harry, but once and better called the Angel Steeple. Of this perfect building the beginning was in 1433, under Prior Molash, and after delays and intermissions it was brought to completeness by Prior Goldstone, of whose handiwork it has been written: “He vaulted it with a most beautiful vault, and with excellent and artistic workmanship, in every part sculptured and gilt, with ample windows glazed and ironed. He also with great care and industry annexed to the columns which support the same tower two arches or vaults of stone-work, curiously carved, and four smaller ones to assist in sustaining [Illustration: THE WEST TOWERS AND SOUTH-WEST ENTRANCE, CANTERBURY CATHEDRAL] the said tower"--a remarkable feature of the interior. The west front of the Cathedral is flanked by two towers: the south-west known as the Chichele or Oxford tower, basely imitated by the north-west tower--the Arundel--which dates from 1834, when Lanfranc’s work was destroyed.