A little later Captain Eri, with a dozen new, clean-smelling cranberry barrels in the wagon behind him, drove slowly down the “depot road.” It was a clear night, but there was no moon, and Orham was almost at its darkest, which is very dark, indeed. The “depot road”--please bear in mind that there are no streets in Orham--was full of ruts, and although Daniel knew his way and did his best to follow it, the cranberry barrels rattled and shook in lively fashion. There are few homes near the station, and the dwellers in them conscientiously refrain from showing lights except in the ends of the buildings furthest from the front. Strangers are inclined to wonder at this, but when they become better acquainted with the town and its people, they come to know that front gates and parlors are, by the majority of the inhabitants, restricted in their use to occasions such as a funeral, or, possibly, a wedding. For the average Orham family to sit in the parlor on a week evening would be an act bordering pretty closely on sacrilege. It is from the hill by the Methodist church that the visitor to Orham gets his best view of the village. It is all about him, and for the most part below him. At night the lights in the houses show only here and there through the trees, but those on the beaches and at sea shine out plainly. The brilliant yellow gleam a mile away is from the Orham lighthouse on the bluff. The smaller white dot marks the light on Baker's Beach. The tiny red speck in the distance, that goes and comes again, is the flash-light at Setuckit Point, and the twinkle on the horizon to the south is the beacon of the lightship on Sand Hill Shoal. It is on his arrival at this point, too, that the stranger first notices the sound of the surf. Being a newcomer, he notices this at once; after he has been in the village a few weeks, he ceases to notice it at all. It is like the ticking of a clock, so incessant and regular, that one has to listen intently for a moment or two before his accustomed ear will single it out and make it definite. One low, steady, continuous roar, a little deeper in tone when the wind is easterly, the voice of the old dog Ocean gnawing with foaming mouth at the bone of the Cape and growling as he gnaws. It may be that the young man with the square shoulders and the suit-case had paused at the turn of the road by the church to listen to this song of the sea; at any rate he was there, and when Captain Eri steered Daniel and the cranberry barrels around the corner and into the “main road,” he stepped out and hailed. “I beg your pardon,” he said; “I'm afraid I'm mixed in my directions. The stage-driver told me the way to the cable station, but I've forgotten whether he said to turn to the right when I reached here, or to the left.” Captain Eri took his lantern from the floor of the wagon and held it up. He had seen the stranger when the latter left the train, but he had not heard the dialogue with Josiah Bartlett.