Before sunset, having already seen the mackerel fleet returning into
the Bay, we left the sea-shore on the north of Provincetown, and made
our way across the Desert to the eastern extremity of the town. From
the first high sand-hill, covered with beach-grass and bushes to its
top, on the edge of the desert, we overlooked the shrubby hill and
swamp country which surrounds Provincetown on the north, and protects
it, in some measure, from the invading sand. Notwithstanding the
universal barrenness, and the contiguity of the desert, I never saw an
autumnal landscape so beautifully painted as this was. It was like the
richest rug imaginable spread over an uneven surface; no damask nor
velvet, nor Tyrian dye or stuffs, nor the work of any loom, could ever
match it. There was the incredibly bright red of the Huckleberry, and
the reddish brown of the Bayberry, mingled with the bright and living
green of small Pitch-Pines, and also the duller green of the Bayberry,
Boxberry, and Plum, the yellowish green of the Shrub-oaks, and the
various golden and yellow and fawn-colored tints of the Birch and Maple
and Aspen,—each making its own figure, and, in the midst, the few
yellow sand-slides on the sides of the hills looked like the white
floor seen through rents in the rug. Coming from the country as I did,
and many autumnal woods as I had seen, this was perhaps the most novel
and remarkable sight that I saw on the Cape. Probably the brightness of
the tints was enhanced by contrast with the sand which surrounded this
tract. This was a part of the furniture of Cape Cod. We had for days
walked up the long and bleak piazza which runs along her Atlantic side,
then over the sanded floor of her halls, and now we were being
introduced into her boudoir. The hundred white sails crowding round
Long Point into Provincetown Harbor, seen over the painted hills in
front, looked like toy ships upon a mantel-piece.
The peculiarity of this autumnal landscape consisted in the lowness and
thickness of the shrubbery, no less than in the brightness of the
tints. It was like a thick stuff of worsted or a fleece, and looked as
if a giant could take it up by the hem, or rather the tasselled fringe
which trailed out on the sand, and shake it, though it needed not to be
shaken. But no doubt the dust would fly in that case, for not a little
has accumulated underneath it. Was it not such an autumnal landscape as
this which suggested our high-colored rugs and carpets? Hereafter when
I look on a richer rug than usual, and study its figures, I shall
think, there are the huckleberry hills, and there the denser swamps of
boxberry and blueberry: there the shrub-oak patches and the bayberries,
there the maples and the birches and the pines. What other dyes are to
be compared to these? They were warmer colors than I had associated
with the New England coast.
Public-domain text, read in full here on John Shaqi.
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