English fiction -- 20th century; London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
MARY LODGE, or Maryland, as it was more familiarly known, stood quite at
the end of Gardingore Gate, facing the Park.
Half-way down the row, on the Knightsbridge side, you caught a glimpse
of it set well back in its strip of garden with a curtain of rustling
aspen-trees before the door.
Erected towards the close of the eighteenth century as a retreat for a
fallen minister, it had, on his demise, become the residence of a minor
member of the reigning Royal House, from whose executors, it had, in due
course, passed into the hands of the first histrionic couple in the
land.
A gravel sweep leading between a pair of grotesquely attenuated sphinxes
conducted, via a fountain, to the plain, sober façade in the Grecian
style.
Moving demurely up this approach some few minutes prior to the hour
telegraphically specified by the mistress of the house, Miss Sinquier,
clad in a light summer dress, with a bow like a great gold butterfly
under her chin, pulled the bell of Mary Lodge.
Some day others would be standing at her own front gate, their hearts
a-hammer....
A trim manservant answered the door.
“Is Mrs. Mary...?”
“Please to come this way.”
Miss Sinquier followed him in.
The entrance hall bare but for a porphyry sarcophagus containing
visiting cards, and a few stiff chairs, clung obviously to royal
tradition still.
To right and left of the broad stairway two colossal battle-pictures, by
Uccelli, were narrowly divided by a pedestalled recess in which a
frowning bust of Mrs. Mary as Medusa was enshrined.
Miss Sinquier, following closely, was shown into a compartment whose
windows faced the Park.
“Mrs. Mary has not yet risen from lunch,” the man said as he went away.
“But she won’t be many minutes.”
Selecting herself a chair with a back suited to the occasion, Miss
Sinquier prepared to wait.
It was an irregular planned, rather lofty room, connected by a wide arch
with other rooms beyond. From the painted boiseries hung glowing Eastern
carpets, on which warriors astride fleet-legged fantastic horses were
seen to pursue wild animals, that fled helter-skelter through
transparent thickets of may. A number of fragile French chairs formed a
broken ring about a Louis XVI bed—all fretted, massive pillars of
twisted, gilded wood—converted now to be a seat. Persian and Pesaro
pottery conserving “eternal” grasses, fans of feathers, strange
sea-shells, bits of Blue-John, blocks of malachite, morsels of coral,
images of jade littered the _guéridons_ and _étagères._ A portrait of
Mrs. Mary, by _Watts_, was suspended above the chimney-place, from
whence came the momentous ticking of a clock.
“The old girl’s lair, no doubt!” Miss Sinquier reflected, lifting her
eyes towards a carved mythological ceiling describing the Zodiac and the
Milky Way.
Tongue protruding, face upturned, it was something to mortify her for
ever that Mrs. Mary, entering quietly, should so get her unawares.
“Look on your left.”
“Oh?”
Public-domain text, read in full here on John Shaqi.
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