"See that she has everything that she wants," he said.
By his tone the manservant understood that the girl who had come so
unexpectedly was to be treated with the utmost courtesy.
This done, Haverford made his way up the stairs.
Mrs. Brenton was waiting for him almost impatiently.
"I shall come here every day whilst I am in town," she declared, "and
even then I am sure I shall always find something fresh to admire! I
congratulate you, Mr. Haverford; you have a beautiful home!"
"My house is beautiful," he corrected; "I sometimes feel I have no
home. All my tastes are for small and simple things. This is so large,
so much too splendid for me. It always feel so empty...."
"Oh! but you are going to change all that," Agnes Brenton said with a
little laugh.
He took her to look at the portrait of Matthew Woolgar, the work of one
of the greatest of modern painters, a _chef d'oeuvre_ in its way.
"It's a living portrait," Haverford said. "Just fancy, Mrs. Brenton, I
knew that man all my life, and I don't think he ever said a kind word
to me. There was not the slightest sign of any sort to let me feel that
he troubled himself about me one way or other." He was speaking with an
effort, for all the time his thoughts were busy with the girl whom he
had left in the study below. Naturally it was not a great astonishment
to him to hear that his mother should be careless and indifferent to
the welfare of others. The woman who could turn her back as she had
done on her own little child, could not be blessed with too much
sympathy or womanly thought; still, if this girl's story was true--and
he saw no reason to doubt it--his mother was now guilty of a definitely
cruel act, for which he failed in this moment to find any possible
explanation.
"Have you a portrait of your father?" Mrs. Brenton asked, after a
little while, as they wandered round.
"Yes, but not here," answered Rupert Haverford. "I have a few old
photographs, but those are in my bedroom, and there is a sketch of him
in water-colours in my study--that is a room downstairs," he added.
"May I see that room?" Mrs. Brenton asked.
He paused imperceptibly, and then he said in his frank way--
"I will show it to you another time. I have some one in it now."
Then all at once there flashed across him a suggestion that here was a
woman who could possibly help him out of the difficulty of the moment.
That Caroline Graniger should remain in his house was, of course,
impossible; but it was equally impossible that this young creature
could be turned outside to find some lodging for herself at this late
hour of the night. He knew Mrs. Brenton to be a practical woman, a
woman of resource, and this was essentially a matter for a woman to
deal with.
Briefly he explained to her that his mother's secretary had come to him
in trouble.
Public-domain text, read in full here on John Shaqi.
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