Captain Billy's Whiz Bang, Vol. 2, No. 23, August, 1921: America's Magazine of Wit, Humor and Filosophy — John Shaqi
Captain Billy's Whiz Bang, Vol. 2, No. 23, August, 1921: America's Magazine of Wit, Humor and FilosophyVarious
General
Captain Billy's Whiz Bang, Vol. 2, No. 23, August, 1921: America's Magazine of Wit, Humor and Filosophy
Various
American wit and humor -- Periodicals
=_Dear Captain_=—What large stream flows from North to South?—=_D. Jennie
Rate._=
Hootch, my dear.
* * * * *
=_Dear Capt. Billy_=—When I sing I get tears in my eyes. What can I do
for this?
Stuff cotton in your ears.
_Our Monthly Drammer_
“_YOU HOLD MY WIFE_”
A Comedy On “Behold My Wife”
BY JAMES STARR
There is in “You Hold My Wife,” which George Selford has screened from
Sir Filbert Barker’s “The Translation of a Shimmy Dancer,” the sort of
romance that appeals to all the primitive story-loving instincts of the
widely known human race. A bum of an Englishman seeking a fortune in
the Judson Bay country hears from home that his fiancee has not married
another man as he had hoped she would. He is led to believe his own
family had deliberately planned to go against his plans. To be even
with them he drinks a pint of likker, marries an Indian girl, Lali, the
daughter of old Fry-on-the-moon, and ships her to England as his wife.
The good sports of the English family, dismayed and shocked, take the
savage in hand and, of course, turn her out a raving beauty in two reels.
So that when the bum English chap, stricken finally by remorse and put on
his feet by a two-gallon can of likker, returns to England to recover
his squaw, he finds her a social sensation of the season and the mother
of a fine little son. He tells her that it is not his son, she faints, he
cries to the servant, who is handy, “You Hold My Wife,” the servant does.
The English chap leaves the house and joins a circus.
* * * * *
“_MIDSUMMER BADNESS_”
A Comedy On “Midsummer Madness”
There are a few directors of pictures you can not depend upon for the
sane, sensible and spirited productions. Billie The Mille is one, no
longer just Sesil’s brother, but one who calls himself a director, no one
knows why, but he does. Billy’s latest is a photographic essay, a world
beater, a sensation, but it is unbelievable. The Mille has woven a real
bum story, telling it by captions and not by pictures, such as all good
directors do some time in their life, we all make mistakes, and Billy has
just started at the beginning of his long list. No one knows just why
this picture was made, but it doesn’t make any difference to the restless
public, they will stand for anything and Billy knows it. He is a wise
guy. In the story there is the new idea of the neglectful husband and a
guy that likes this guy’s wife, the neglectful husband likes the other
guy’s wife. They should swap each other’s wife and let it go at that,
but Billy wouldn’t have it that way, so he made them love each other for
awhile and then he tore them apart. The master of this picture put in a
subtitle reading “The End” and let the public go home for the evening to
start a drama of their own.
* * * * *
The Sydney Bulletin tells a fairly good story about family foibles. Here
it is:
Public-domain text, read in full here on John Shaqi.
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