Captain Cuellar's Adventures in Connaught & Ulster A.D. 1588.: To Which Is Added an Introduction and Complete Translation of Captain Cuellar's Narrative of the Spanish Armada and His Adventures in IrelandAllingham, Hugh
History
Captain Cuellar's Adventures in Connaught & Ulster A.D. 1588.: To Which Is Added an Introduction and Complete Translation of Captain Cuellar's Narrative of the Spanish Armada and His Adventures in Ireland
Allingham, Hugh
Armada, 1588
There are several other expressions about the meaning of which we
differ; but I will only refer to some of them, that are of sufficient
importance, either directly or indirectly, to make it desirable that
Cuellar's statement concerning them should be correctly given. I do not
refer to them in any spirit of adverse criticism, but in the interests
of accuracy, as regards details, in the description of an important
historical event.
Both parties translate _montes_ as _mountains_. This, I think, is a
mistake: it should be _woods_. Cuellar repeatedly uses the correct word,
_montañas_, to express mountains; so that when we find him writing
_montes_, the natural inference is that he was referring to something of
a different nature; besides, _montes_ is frequently made use of in
Spanish to denote woods.
Professor O'Reilly translates _manta_ as _cloak_ throughout; while Mr.
Sedgwick also does so the first time he meets with it, but calls it
_blanket_ always afterwards. _Manta_ means a blanket, but _manto_ is a
mantle, veil, or cloak; and the error alluded to is due, no doubt, to
the similarity of the two words.
Again, both gentlemen translate _un trompeta_ as a _trumpet_: it should
be a _trumpeter_. The cause of the mistake here lies in overlooking the
nature of the article made use of. _Trompeta_ is both a masculine and
feminine noun. The former signifies the man who blows a trumpet, and the
latter is the instrument itself. In the present instance, the article
(_un_) being masculine, shows that the word is used in its masculine
sense, and therefore means a _trumpeter_.
I will now briefly refer to a few cases of the two translators
separately, taking Professor O'Reilly first.
_Galleon_ and _galley_ do not translate each other, but refer to very
different classes of ships.
Cuellar did not remain on board _his own ship_ after he had been
sentenced to death and reprieved, but was detained on the ship of the
Judge Advocate, in which he was subsequently wrecked. The number of dead
bodies lying on the shore where he was cast away is given by Cuellar as
more than 600, not as more than 800.
"_Casiñas de paja_" means, I think, that the huts were not merely
thatched with straw, but composed of it altogether. This appears to be
clear from the fact that Cuellar uses another expression--"_Casas
pajizas_"--when he wished to describe the thatched houses in Ocan's
village.
Referring to the ship that Cuellar's companions--who outstripped
him--embarked upon, and in the wreck of which they were subsequently
lost, Professor O'Reilly says she "_drifted there by good luck_" (_con
gran fortuna_). I think this is not the true meaning of the passage, but
that the ship was driven in "_by a great tempest_" or storm; for he goes
on to say that her main-mast and rigging were much injured. It should be
borne in mind that _fortuna_ means a storm or tempest, as well as
fortune or luck.
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