France -- History -- Louis XIII, 1610-1643 -- Fiction
Let us return now to the little girl we left feigning to sleep soundly
upon a settle in the kitchen. There was certainly something suspicious
about the fierce way in which she eyed Isabelle’s pearl necklace, and
her little bit of clever acting afterwards. As soon as the door had
closed upon the comedians she slowly opened her large, dark eyes,
looked sharply round the great, dim kitchen, and when she found that
nobody was watching her, slipped quietly down from the bench, threw
back her hair with a quick movement of the head peculiar to her, crept
softly to the door, which she cautiously unlatched, and escaped into
the open air without making any more sound than a shadow, then walked
slowly and listlessly away until she had turned a corner and was out of
sight of the house, when she set off running as fleetly as a deer
pursued by the hounds—jumping over the frequent obstacles in her path
with wonderful agility, never stumbling, and flying along, with her
black hair streaming out behind her, like some wild creature of the
desolate pine barrens through which she was skilfully threading her
way.
She reached at last a little knoll, crowned by a group of pine trees
crowded closely together, and dashing up the steep bank with
undiminished speed came to a sudden stop in the very middle of the
grove. Here she stood still for a moment, peering anxiously about her,
and then, putting two fingers in her mouth, gave three shrill whistles,
such as no traveller in those desolate regions can hear without a
shudder. In an instant what seemed to be a heap of pine twigs stirred,
and a man emerging from beneath them rose slowly to his feet at a
little distance from the child.
“Is it you, Chiquita?” he asked. “What news do you bring? You are late.
I had given over expecting you to-night, and gone to sleep.”
The speaker was a dark, fierce-looking fellow of about five and twenty,
with a spare, wiry frame, brilliant black eyes, and very white
teeth—which were long and pointed like the fangs of a young wolf. He
looked as if he might be a brigand, poacher, smuggler, thief, or
assassin—all of which he had been indeed by turns. He was dressed like
a Spanish peasant, and in the red woollen girdle wound several times
around his waist was stuck a formidable knife, called in Spain a
_navaja_. The desperadoes who make use of these terrible weapons
usually display as many red stripes, cut in the steel, upon their long
pointed blades as they have committed murders, and are esteemed by
their companions in proportion to the number indicated by this horrible
record. We do not know exactly how many of these scarlet grooves
adorned Agostino’s _navaja_, but judging by the savage expression of
his countenance, and the fierce glitter of his eye, we may safely
suppose them to have been creditably numerous.
“Well, Chiquita,” said he, laying his hand caressingly on the child’s
head, “and what did you see at Maître Chirriguirri’s inn?”
Public-domain text, read in full here on John Shaqi.
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