France -- History -- Louis XIII, 1610-1643 -- Fiction
The brigand and his little companion then went to a secret place in the
thick pine grove, and set to work industriously, removing a few large
stones, a quantity of branches, and finally the five or six boards they
had concealed, disclosing a large hole that looked like a grave. It was
not very deep, and Agostino, jumping down into it, stooped and lifted
out what seemed to be a dead body—dressed in its usual every-day
clothes—which he flung down upon the ground beside the hole. Chiquita,
who did not appear to be in the least agitated or alarmed by these
mysterious proceedings, seized the figure by the feet, with the utmost
_sang-froid_, and dragged it out of Agostino’s way, with a much greater
degree of strength than could have been expected from such a slight,
delicate little creature. Agostino continued his work of exhumation
until five other bodies lay beside the first one—all neatly arranged in
a row by the little girl, who seemed to actually enjoy her lugubrious
task. It made a strange picture in the weird light of the nearly full
moon, half veiled by driving clouds—the open grave, the bodies lying
side by side under the dark pine trees, and the figures of Agostino and
Chiquita bending over them. But the tragic aspect of the affair soon
changed to a comic one; for when Agostino placed the first of the
bodies in an upright position it became apparent that it was only a
sort of a scarecrow—a rude figure intended to frighten timid
traveller—which being skilfully disposed at the edge of the grove,
partly hidden among the trees, looked at a little distance exactly like
a brigand—gun and all. Indeed it really was dressed in the garments of
one of his old comrades, who had paid the penalty of his crimes on the
gallows. He apostrophized the figure as he arranged it to his liking,
calling it by name, relating some of the brave deeds of its prototype,
and bewailing the sad fate that had left him to ply his nefarious trade
single-handed, with a rude eloquence that was not wanting in pathos.
Returning to where the others lay, he lifted up one which he reminded
Chiquita, represented her father—whose valour and skill he eulogized
warmly—whilst the child devoutly made the sign of the cross as she
muttered a prayer. This one being put in position, he carried the
remaining figures, one by one, to the places marked for them, keeping
up a running commentary upon the ci-devant brigands whose
representatives they were, and calling them each repeatedly by name, as
if there were a certain sad satisfaction in addressing them in the old,
familiar way.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account