France -- History -- Louis XIII, 1610-1643 -- Fiction
“True,” answered Blazius, “and guard it sacredly, my lord! for a sword
is a faithful friend—defender of its master’s life and honour. _It_
does not abandon him in times of peril and disaster, like the false
friends who cling only to prosperity. Our stage swords have neither
edge nor point, for they are only intended for show; the wounds they
make disappear suddenly when the curtain falls, without the aid of the
surgeon with his instruments and lint. That trusty sword of yours you
can depend upon in any emergency, and I have already seen it doing good
service in our behalf. But permit me to go and fetch the things I spoke
of; I am impatient to see the butterfly emerge from the chrysalis.”
Having thus spoken, in the theatrical way that had become habitual with
him, the worthy pedant quitted the room, and soon reappeared, carrying
a large package, which he deposited on the table in the centre of the
chamber.
“If your lordship will accept an old actor as _valet-de-chambre_,” he
said, rubbing his hands joyfully together, “I will beautify you in no
time. All the ladies will be sure to fall in love with you, for—with no
disrespect to the larder at the Château de Sigognac be it said—you have
fasted so much in your lonely life there that it has made you most
interestingly slender and pale—just what the dear creatures delight in.
They would not listen to a word from a stout lover, even if the
diamonds and pearls of the fairy tale dropped from his lips whenever he
spoke. That is the sole reason for my want of success with the fair
sex, and I long ago deserted the shrine of Venus for the worship of
Bacchus. A big paunch is not amiss among the devotees of that merry
god, for it bears witness to plentiful libations.”
Thus running on gaily, the worthy pedant strove to amuse the melancholy
young nobleman, while he deftly performed his duties as valet; and they
were very quickly completed, for the requirements of the stage
necessitate great dexterity on the part of the actors to make the
metamorphoses frequently needed with sufficient promptness and
rapidity. Charmed with the result of his efforts he led de Sigognac up
to one of the large mirrors, wherein, upon raising his eyes, he saw a
figure which, at the first glance, he thought must be that of some
person who had entered the room without his knowledge, and turned to
ask who the intruder was—but there was no stranger there, and he
discovered that it was his own reflection—so changed that he was mute
with astonishment. A young, handsome, richly-dressed de Sigognac stood
before him, and a radiant smile parted his lips and lighted up his face
as he gazed at his own image, which perfected the really marvellous
transformation. Blazius, standing near, contemplated his work with
undisguised pride and satisfaction, changing his position several times
so as to get different views, as a sculptor might who had just put the
finishing touches to his statue altogether to his liking.
Public-domain text, read in full here on John Shaqi.
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