France -- History -- Louis XIII, 1610-1643 -- Fiction
The marquis, who was of an ardent, impatient nature, made his
appearance in the dining-room before they had quite finished the
sumptuous repast which had been served to them; he would not allow them
to rise, but seated himself at the table with them, and when the last
course had been removed, asked the tyrant to be good enough to give him
a list of the plays they were in the habit of acting, so that he might
select one for the evening’s entertainment. But so many were enumerated
that his lordship found it not easy to make a choice, and expressed his
desire to have the tyrant’s ideas upon the subject.
“There is one piece we often play,” Hérode said, “which never fails to
please, and is so full of good-natured fun and nonsense that it keeps
the audience in a roar of laughter from the beginning to the end.”
“Let us have that one, by all means,” the marquis exclaimed; “and pray
what is the name of this delightful play?”
“The Rodomontades of Captain Matamore.”
“A capital title, upon my word! and has the _soubrette_ a good part in
it?” asked his lordship, with a languishing glance at her.
“The most racy, mischievous role imaginable,” said Hérode warmly, “and
she plays it to perfection—it is her chef d’oeuvre. She is always
applauded to the echo in it.”
At this high praise from the manager, Zerbine—for such was the
_soubrette’s_ name—tried her best to get up a becoming blush, but in
vain. Modesty she had none, and the tint she would fain have called
into requisition at that moment was not contained in any of her
numerous rouge-pots. So she cast down her eyes, thereby displaying to
advantage the length and thickness of her jet-black lashes, and raised
her hand with a deprecating gesture, which called attention to its
pretty, taper fingers and rosy nails. The marquis watched he
admiringly, and she certainly was very charming in her way. He did not
vouchsafe even a glance to the other two young actresses—refraining
from testifying any marked admiration for Isabelle because of the prior
claim of the Baron de Sigognac—though he was secretly very much
delighted with her sweet, refined style of beauty, and the quiet
dignity and grace of her deportment. Serafina, who was naturally
indignant that the marquis had not even asked if there was a part for
her in the piece to be performed, accused him in her heart of being no
gentleman, and of having very low, vulgar tastes, but she was the only
one of the party that felt any dissatisfaction.
Before the marquis left them he said to Hérode, “I have given orders to
have the orangery cleared so that our theatre can be arranged there;
they are carrying planks, trestles, benches, hangings, and all other
needful articles in there now. Will you kindly superintend the workmen,
who are new to this sort of business? They will obey your orders as
they would my own.”
Public-domain text, read in full here on John Shaqi.
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