"Ah, how have I drifted into this train of thought? But never mind, I
have drifted into it--and I will follow it out--it takes me to your
father's side again! O Magne, how I loved him! how I shall always love
him!" She burst into tears--the girl's heart beat against hers. The
softened colours of wood and plain in the uncertain light, the
strenuous roar of the river seemed to sunder them from each other; the
surroundings were at war with their mood; but the more closely did they
cling together, each supporting the other.
"Magne, you mustn't ask me to put what I have to say to you in any sort
of order. I only know the point I am aiming at.
"Yes, he was like the nature that surrounded him, fashioned on a
generous scale and rich with hidden treasures: so much I dimly grasped.
Everything I saw was new to me, the face of nature as well as the rest.
I had travelled, but not in Norway.
"It is said of us women that we are not able to analyse those whom we
love, but only worship them in the abstract. But he had a friend, his
best friend; he could analyse him; the poet. He was present at Karl
Mander's last meeting, and he came to me from it when your father was
dead. We talked together of everything as much as I then could. He
wrote about him the most beautiful things that have ever been written.
I know them by heart; I know everything by heart that has been worthily
written about your father."
"Do you know what it was he wrote?"
"'If the landscape I see around me could speak like a human being; if
the dark lofty ridge could find speech to answer the river, and those
two began to talk across the underwood, then you would know the
impression made when Karl Mander had spoken so long that the vibration
of his deep voice and the thoughts it uttered had melted into one.
"'Halting and with difficulty, as though from inward depths clumsily
fumbling for words, he always arrived at the same goal. The thought was
at last as clear and lucid as a birch leaf held against the sunlight.'"
"Was it then----"
"No, don't interrupt me! 'Karl Mander often seemed to me as unlike all
other people as though he belonged to a different order of things. He
was not like an individual, he represented a race. He swept by like a
mighty river: at the mercy of chance and natural obstacles, perhaps,
but ever rolling on. So was he, both in life and in speech. Neither was
his voice merely individual, it had in it the reverberation of a
torrent--a melancholy, captivating harmony, but monotonous,
unceasing.'"
"That surely is what the sea sounds like, mother?"
The mother was as much carried away by her memories as animated in her
movements, as eager in her glance as a young girl. Now she stopped.
Public-domain text, read in full here on John Shaqi.
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