His mind, which now made none save romantic images, imaged for him the
_Broken Heart_ at sea, under her colours, going over the water, her
owner looking astern at land he would never again tread. It imaged for
him a garden ashore, full of roses and tall white campanulas. A lady
walked there, looking seaward, regretting that she had not seen him,
that she had not bidden him good-bye. Oh, very sweet, very tender,
were the images which rose up in him, for the ten thousandth time, as
he stared out over Salcombe harbour. And each image, each romantic
symbol imagined or created, was a heavy nail, a heavy copper bolt,
nailing him within the coffin of his past, among the skeletons of
starved hopes and strangled passions.
II.
A FAREWELL
“Farewell, thou art too dear for my possessing.”
_Sonnet lxxxvii._
“Here take my picture; though I bid farewell,
Thine, in my heart, where my soul dwells, shall dwell.”
John Donne.
In a little room ashore, in a private suite of a big inn near the
church, Tom Stukeley sat alone at breakfast, staring down the garden,
across the sea, to the moored ships. He was a tall, powerful,
well-made man, of a physical type more common in Ireland than in
England, but not rare here. He was, above all things, a creature of
the body. One had but to look at him to realize that when he died
there would be little for Rhadamanthus. One could not like the man;
for though his body had a kind of large splendour, it was the
splendour of the prize cabbage, of the prize pig, a splendour really
horrible. It is horrible to see any large thing without intelligence.
The sight is an acquiescence in an offence against nature. Tom
Stukeley was designed by nature for the position of publican. He had
the vulgarity and the insolence of a choice English bagman, in the
liquor line, together with this handsome body, red face, and thick
black hair. By the accident of birth he was a gentleman. In seeing him
one realized the tragedy of life’s apportionments. One realized that
to build up this, this mass of mucous membrane, boorishly informed,
lit only by the marsh-lights of indulged sense, the many toiled in
poverty, in enforced though hated ignorance, in life without ease,
without joy.
Public-domain text, read in full here on John Shaqi.
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