Her voice seemed to come from her whole nature. All that her lover
could remember afterwards was the timbre of the voice; he had no
memory of her face. Her eyes he remembered, and her heavy antique
ear-rings. “Eyes, ear-rings, and a voice,” he repeated, walking down
to the jetty. He wondered what she was. “What is she? What is she? Oh
Lord, what is she?” He could not answer it. She was beautiful. Most
beautiful. Beautiful enough to drive him mad. Her beauty was not a
bodily accident; but a quality of soul, the quality of her nature, her
soul made visible. But what was she? She had talked commonly,
conventionally. She had said no wise thing, no moving thing. Never
once had she revealed herself; she was only kind, fond of flowers,
fond of music, a lover of little children. But oh, she was beyond all
beauty, that dark, graceful lady with the antique ear-rings. It was
her voice. Any conventional, common word her voice made beautiful. He
wondered if she were, after all, divine; for if she were not divine,
how came it that her voice had that effect, that power? He felt that
human beings were all manifestations of a divine purpose. Perhaps that
lovely woman was an idea, an idea of refinement, of delicate,
exquisite, right grace, clothed in fitting flesh, walking the world
with heavenly intention. But if that were so, how the devil came
Stukeley there, that was the puzzle? The blood came into that pale
face sometimes; and oh, the way she turned, the way she looked, the
way of that voice, so thrilling, so infinitely beautiful. Ah well; he
had played and lost, and there was his ship with her flag flying; he
was bound down and away
Along the coast of New Barbary.
But he had loved her, he had seen her, he had been filled with her
beauty as a cup with wine. He would carry her memory into the waste
places of the world. Perhaps in the new Athens, over yonder, among the
magnolia bloom, and the smell of logwood blossom, he would make her
memory immortal in some poem, some tragedy, something to be chanted by
many voices, amid the burning of precious gums, and the hush of the
theatre. On the way, he stopped, thinking of her personal tastes. He,
too, would have those tastes. Little things for which she cared should
come with him to the Main. He gave the merchant the impression that he
was dealing with one melancholy mad.
Public-domain text, read in full here on John Shaqi.
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