“Do you mind if I put a couple of these on the mantel?”
“Certainly not; it’s half yours, of course.”
The tone was very chilly, and Trevor’s cheeks flushed slightly as he
arranged the pictures behind the army of mugs. He started away and
then came back again, and, taking a photograph from its place, looked
hesitatingly at Dick, who was apparently supremely indifferent to his
presence.
“That’s the pater,” he said finally, holding out the card, and speaking
a little wistfully. Dick took the picture. It showed a middle-aged man,
rather military looking, in riding clothes; a fine, handsome chap, Dick
thought, and, having no quarrel with Trevor’s father, he said so:
“He’s awfully good-looking, Nesbitt.”
Trevor took the photograph and observed it a moment with smiling eyes
ere he placed it back on the mantel. He was evidently monstrously proud
of his father; but he only replied with elaborate indifference:
“He’s rather a good sort, the pater.” He took the rest of the pictures
down and held them out. “Here’s some more if you care to see them.”
Dick pretended to smother a yawn. “Thanks,” he said.
“I’m not boring you?” asked Trevor apologetically.
“No, indeed.” Dick was looking at the likeness of an elderly woman in a
high lace cap. “Not your mother, is it?”
“No, that is my Aunt Grace; she lives in Manchester. I haven’t a
picture of the mater here; we have only one, and the pater keeps that.
She--she died when I was quite a youngster.”
“Oh,” said Dick softly. “I’m sorry. Mothers are--well, I wouldn’t want
to lose mine, Nesbitt.”
“I fancy not. We--the pater and I--were awfully cut up when the mater
died. That’s a cousin of mine; he’s at Rugby.”
The picture showed a stolid-looking boy with decidedly heavy features
attired in flannels and leaning with studied carelessness on a
cricket bat. It was typically English, Dick thought as he laid it
aside. A photograph with “Maud” scrawled across the bottom in high
angular characters showed a conscious-looking young lady of eighteen
or nineteen years simpering from a latticed doorway. “That’s Cousin
Maud,” explained Trevor; “she’s engaged to a lieutenant of engineers
in South Africa; she’s a jolly nice girl.” When Dick had seen the last
of the photographs Trevor rearranged them on the mantel, and while
he was doing so there came a knock at the study door, followed by
the entrance of a youth in a long ulster on which the snowflakes were
melting.
“Hello, Earle, come in!” cried Dick, arising and shaking hands with the
newcomer. “Where’s Carl?”
Stewart Earle, a slim, bright-faced boy of apparently fourteen years of
age, shook the flakes from his coat and drew a note from his pocket.
“He couldn’t come over, Hope, so he asked me to bring this to you. I
had to come over to the library. It’s snowing like all get out.”
Public-domain text, read in full here on John Shaqi.
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