About three in the afternoon, a postchaise, the sound of whose wheels
had very differently impressed the hearts of the three persons who were
expecting it, entered the court-yard of the castle. Emanuel had eagerly
run down to the vestibule to receive his future brother-in-law, for it
was he who had arrived. Lectoure sprang lightly from his carriage. He
had halted for some time at the last post-house, to attire himself in a
presentable costume, so that he arrived in an elegant court dress of the
latest fashion. Emanuel smiled at this evidence of his anxiety, for it
was clearly to be perceived, that Lectoure was determined not to lose
the advantage of a first favorable impression, by presenting himself in
a dusty travelling dress. His intercourse with the fair sex had taught
him, that they almost invariably judge from the first glance, and the
effect which it produces upon their minds or hearts, let it be favorable
or unfavorable, is with difficulty removed. Moreover, it is but
rendering justice to the baron to acknowledge that his person was
graceful and elegant, and might have been dangerous to any woman whose
heart was not already occupied by another.
“Permit me, my dear baron,” said Emanuel, advancing toward him, “in the
momentary absence of the ladies, to do the honors of the mansion of
my ancestors. See,” continued he, when they had reached the top of the
stone steps leading into the hall, and pointing to the turrets and
the bastions, “these date from the time of Philip Augustus, as to
architecture, and from Henry IV., in point of ornament.”
“Upon my honor,” replied the baron, in the affected tone which the young
men of that day had adopted, “it is a most charming fortress, and throws
around it, to a distance of at least three leagues, a baronial odour,
which would perfume even an army contractor. If ever,” continued he, as
they passed through the hall and entered a gallery ornamented on each
side with long lines of family portraits, “I should take a fancy to
enter into a rebellion against his most Christian Majesty, I shall
entreat you to lend me this jewel of a place; and,” added he, casting
his eyes on the long rows of ancestors which offered themselves to his
view, “the garrison with it.”
“Thirty-three quarters--I will not say in flesh and blood,” replied
Emanuel, “for they are long since turned to dust--but in painting,
as you see. They begin with a certain Chevalier Hugues d’Auray, who
accompanied King Louis VII. to the crusades; that one, it is pretended,
is my aunt Deborah, whom you see decked out as Judith; and all this
eventually ends in the male line, in the last member of this illustrious
family, your very humble and very obedient servant, Emanuel d’Auray.”
“It is perfectly respectable, and nothing can be more authentic.”
Public-domain text, read in full here on John Shaqi.
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