"Why did you do that?" he gasped.
"I don't know," said Ambrose Sault, and with a jerk brought the steel
almost straight.
"Phew!"
Moropulos took the bar from his hand.
"I shouldn't like to annoy you seriously," he said. He did not speak
of Beryl again.
XIII
Evie Colebrook had found a note awaiting her at the store on the
morning of the day she came home early. It consisted of a few words
scrawled on a plain card, and had neither address nor signature:
"_Dearest girl_: I shall not be able to see you tonight. I have a
long article to write and shall probably be working through the
night, when your dear and precious eyes are closed in sleep. _Your
lover_."
She had the card under her pillow when she slept.
"Are you sure you aren't too busy," said Beryl when she came down, a
radiant figure, to the waiting Ronnie. "Now that you have taken up a
literary career, I picture you as being rushed every hour of the day."
"Sarcasm is wasted on me," Ronnie displayed his beautiful teeth.
"Unflattering though it be, I admit to a slump in my literary stock.
I have had no commissions for a week."
"And I'm not taking you away from any of those beautiful friends of
yours?"
"Beryl!" he murmured reproachfully. "You know that I have no
friends--if by friends you mean girl friends."
"It is my mad jealousy which makes me ask these questions," she said
quizzically, "come along, Ronnie, we will be late."
What the play was about, Beryl never quite remembered. Ronnie,
sitting in the shade of the curtains, was more interested in his
companion. It was strange that he had known her ever since she was a
child and he a schoolboy, and yet had never received a true
impression of her beauty. He watched her through the first act, the
tilt of her chin, the quick smile.
"Beryl, you ought to be painted," he said in the first interval. "I
mean by a portrait painter. You look so perfectly splendid that I
couldn't take my eyes off you."
The color came slowly and, in the dim light of the box, a man who had
not been looking for this evidence of her pleasure, would have seen
nothing.
"That is a little less subtle than the usual brand of flattery you
practice, isn't it, Ronnie? Or is your artlessness really an art
that conceals art?"
"I'm not flattering you--I simply speak as I feel. I never realized
your loveliness until tonight." She straightened up and laughed.
Public-domain text, read in full here on John Shaqi.
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