Prisoner-of-war escapes; World War, 1914-1918 -- Prisoners and prisons, German
Yonder on the left, under some trees at no great distance, is the
terrace of a café decked with flags and filled with a crowd of most
excited people. They are wild with joy, and make a deafening noise;
then, suddenly, as with one movement, they spring up and stand
motionless and silent, with heads bared. An orchestra hidden among the
trees has sounded the first notes of the German anthem. Corpulent men
stand with a stiffness at attention which seems suited neither to their
age nor their size; they hold their cigars in their hands and leave
their beer to get flat without regret. Stout women in light dresses,
which seem too tight for them, stand beside them; they are red with
excitement; the children remain motionless in an attitude almost
religious. It is a veritable uproar, where the shrill notes of the fifes
and the low interrupted roll of the drum impress on these grey citizens
the staggering successes of their arms. They experience a joy beyond all
bounds in staining their starched white shirt fronts with beer and
cigar-ash in an inn where everybody is crowded together. There they have
come to comment on the news of the day, enforcing their remarks by blows
which make the tables tremble. They are still visibly excited by the
burning words of patriotism in the sermons preached by their
ministers--men in the pay of the bloody Emperor. These words still ring
in their ears telling them of the destiny of the all-powerful German
race, a race elected, chosen by their god before all to be the salvation
of the world. They are intoxicated by their own excitement, the music,
the beer and the sun, and listen in a religious frenzy to the music
which places them above other nations--“Deutschland über alles.” At the
end of each stanza, tired with so long repressing the feelings that burn
in their hearts, they break forth into uncontrolled cheering, and shout
themselves hoarse bellowing out the admiration that they feel for
themselves. They wave little flags, sticks, hats, handkerchiefs,
beer-mugs; it is pandemonium. With purple faces, eyes starting out of
their heads, swollen veins and wide-open mouths they shout, they
vociferate, without any regard for those who are so near them. They see
red, and in the sky at which they gaze, the apotheosis of the Teuton
race appears to them, sublime, emerging from a river of blood. Unwearied
the orchestra begins again, dominates the tumult of the crowd, that,
after a bar or two, has recovered its calm, like a mechanical toy wound
up anew and set in motion. In Germany there is order and respect for
music; they do not have two concerts going on at a time. Strains,
feverish, passionate, played with vigour, float on the air. Each
musician blows, beats, scrapes, strikes with all the power of a Boche,
as if he hoped that the sounds he gave forth, drowning the others, would
go ever to the field of battle and inspire with a force of “superman”
the unchained wild beasts whose mission it is to show to the astonished
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account