England -- Social life and customs -- Fiction; Short stories, English
When, therefore, in late November Ned received a letter from the lawyer
telling him to be at the High Courts of Justice in the Strand, London,
at ten thirty in the morning on a certain day, prepared to give his
evidence, a most peculiar change took place in that bullet-headed
youth. His appetite abandoned him; sweat stood on his brow at moments
unconnected with honest toil. He gave the girl Pansy black looks; and
sat with his prepared evidence before him, wiping the palms of his
hands stealthily on his breeches. That, which he had never really
thought would spring, was upon him after all, and panic, such as
nothing physical could have caused in him, tweaked his nerves and
paralysed his brain. But for his father he would never have come up
to the scratch. Born before the halfpenny Press, and unable to ride a
bicycle, unthreatened moreover by the witness-box, Bowden--after a long
pipe--gave out his opinion that it “widden never du to let that chap
’ave it all his own way. There wasn’t nothin’ to it if Ned kept a stiff
upper lip. ’Twid be an ’oliday-like in London for them both.”
So, dressed in their darkest and most board-like tweeds, with black
bowler hats, they drove in to catch the London train, with a small
boy bobbing on a board behind them to drive the mare back home. Deep
within each was a resentful conviction that this came of women; and
they gave no thought to the feelings of the girl who was plaintiff in
the suit, or of the girl who watched them drive out of the yard. While
the train swiftly bore them, stolid and red-faced, side by side, the
feeling grew within them that to make a holiday of this would spite
that chap Steer. He wanted to make them sweat; if they did not choose
to sweat--it was one in the eye for him.
They put up at an hotel with a Devonshire name in Covent Garden, and in
the evening visited a music-hall where was a show called the ‘Rooshian
ballet.’ They sat a little forward with their hands on their thighs,
their ruddy faces, expressionless as waxworks, directed towards the
stage, whereon ‘Les Sylphides’ were floating white and ethereal. When
the leading danseuse was held upside down, Bowden’s mouth opened
slightly. He was afterwards heard to say that she had ‘got some legs on
her.’ Unable to obtain refreshment after the performance, owing to the
war, they sought the large flasks in their bedroom, and slept, snoring
soundly, as though to express even in their slumbers a contempt for the
machinations of ‘that chap.’
VI
Public-domain text, read in full here on John Shaqi.
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