He was a New Yorker addicted to Italy. One often puzzled over the composition of his blood. From his appearance it was rich; and his name fortified the conclusion. What the K. stood for, however, I never learned; the three possibilities were equally intriguing. Had he a strain of Highlander with Kenneth or Keith; a drop of German or Scandinavian with Kurt or Knut; a blend of Syrian or Armenian with Khalil or Kassim? The blue in his fine eyes seemed to preclude the last, but there was an encouraging curve in his nostrils and a raven gleam in his auburn hair, which, by the way, was beginning to grizzle and recede when I knew him. The flesh of his face, too, had sometimes a tired and pouchy appearance, and his tall body looked a trifle rebellious within his extremely well-cut clothes--but, after all, he was fifty-five. You felt that Vaness was a philosopher, yet he never bored you with his views, and was content to let you grasp his moving principle gradually through watching what he ate, drank, smoked, wore, and how he encircled himself with the beautiful things and people of this life. Presumably he was rich, for one was never conscious of money in his presence. Life moved round him with a certain noiseless ease or stood still at a perfect temperature like the air in a conservatory round a choice blossom which a draught might shrivel. This image of a flower in relation to Rupert K. Vaness pleases me because of that little incident in Magnolia Gardens, near Charleston, South Carolina.