Cardinal Pole; Or, The Days of Philip and Mary: An Historical RomanceAinsworth, William Harrison
History
Cardinal Pole; Or, The Days of Philip and Mary: An Historical Romance
Ainsworth, William Harrison
Great Britain -- History -- Mary I, 1553-1558 -- Fiction; Pole, Reginald, 1500-1558 -- Fiction
Philip’s suit, as we have already intimated, comprised several nobles of
the highest importance, who had been ordered to attend upon him by the
Emperor. Besides the Duke of Alva, there was the scarcely less important
Duke de Medina Celi, Don Ruy Gomez de Silva, Prince of Eboli, the
Admiral of Castile, who was in command of the fleet, the Marquis de
Pescara, the Marquis del Valle, the Marquis D’Aguillara, the Conde de
Feria, the Conde Olivares, the Conde de Saldana, the Count D’Egmont, and
several others equally distinguished. Each of these haughty hidalgos had
a train of attendants with him.
With the Prince, also, was the Alcalde of Galicia, the Bishop of Cuença,
Father Alfonso de Castro, and several other priests.
Moreover, he had a great painter in his train, Sir Antonio More, who had
been previously sent into England to take the Queen’s portrait (which
may still be seen in the gallery at Madrid), and had now the honour of
accompanying the Prince on his voyage.
Two other important personages had preceded Philip to England—namely,
the Marquis de las Naves, previously referred to, and Don Juan Figueroa,
Regent of the Council of Aragon, a nobleman much in the Emperor’s
confidence, and to whom an important part had been assigned in the
approaching ceremonial.
Shortly after his discourse with the Duke of Alva which we have
reported, Philip withdrew to his state cabin to perform his orisons, and
listen to a discourse from the Bishop of Cuença. On his reappearance, he
found most of his nobles assembled on deck, making, as they were all
superbly attired, a very gallant show. Only three or four of their
number removed their plumed and jewelled caps on the Prince’s approach.
The rest being grandees of Spain, and entitled to remain covered in the
presence of royalty, asserted their privilege. Foremost in the group
were the Duke of Alva, the Duke of Medina Celi, Ruy Gomez de Silva, and
the valiant Marquis de Pescara—one of the great captains of the age. All
these had the cross of Santiago on their mantles. Some of the assemblage
were Knights of Calatrava, others Knights of St. Lazarus, or of St. John
of Jerusalem, and all wore their orders. Numbering about fifteen, they
presented a remarkable array of noble-looking figures, all more or less
characterised by pride of look and haughtiness of deportment. It would
have been easy to discern at a glance that they belonged to the most
vain-glorious people then existing—a people, however, as valiant as they
were vain-glorious.
Public-domain text, read in full here on John Shaqi.
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