Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
The first picture given in these pages relating to the French
Revolution, "The Assembly of the Notables," is one of the most
celebrated caricatures ever produced, and one of the best. Setting aside
one or two of Thackeray's, two or three of Gillray's, and half a dozen
of Mr. Nast's, it would be difficult to find its equal. It may be said,
however, that the force of the satire is wholly in the words, which,
indeed, have since become one of the stock jokes of French Joe Millers.
The picture appeared in 1787, when the deficit in the revenue, after
having widened for many years, had become most alarming, and it was at
length proposed to tax the nobility, clergy, and magistrates, hitherto
exempt from vulgar taxation. But the Assembly of the Notables, which was
chiefly composed of the exempt, preferred to prolong inquiry into the
causes of the deficit, and showed an unconquerable reluctance to impose
a tax upon themselves. It was during this delay, so fatal to the
monarchy, that the caricature appeared. There must have been more than
one version of the work, for the one described by Mr. Carlyle in his
"History of the French Revolution" differs in several particulars from
that which we take from M. Champfleury. Mr. Carlyle says: "A _rustic_ is
represented convoking the poultry of his barn-yard with this opening
address, 'Dear _animals_, I have assembled you to advise me what sauce I
shall dress you with,' to which a _cock_ responding, 'We don't want to
be eaten,' is checked by, 'You wander from the point!'"
The outbreak of the Revolution in 1789 menaced Europe with one of the
greatest of all evils--the premature adoption of liberal institutions.
Forever vain and always fruitful of prodigious evil will be attempts to
found a government by the whole people where the mass of the working
population are grossly ignorant and superstitious. The reason is known
to all who have had an opportunity of closely observing the workings of
such minds. They can only be swayed by arts which honest intelligence
can not use, and therefore they will be usually governed by men who have
an interest in misleading them. Great Britain was nearer a republic than
any other nation in Europe; but England, too, needed another century to
get the tap-room reduced, the people's school developed in every parish,
and the educated class intensely alive to the "folly of heaping
importance upon idiots."
[Illustration: The Dagger Scene in the House of Commons. (Gillray, 1793.)]
Public-domain text, read in full here on John Shaqi.
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