Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Edmund Burke was the man who, more than any other, held England back
from revolution in 1792. Rational appeals to the rational faculty could
not have availed. Appalled at what he saw in France, Burke, after thirty
years' advocacy of liberal principles, and assisting to create a
republic in America, became a fanatic of conservatism, and terrified
England into standing by the monarchy. He was alarmed even at the influx
of Frenchmen into England, flying from _La Lanterne_, and he gave
vehement support to the Alien Act, which authorized the summary
expulsion from the kingdom of foreigners suspected by the Government.
Vehement? Some of his sentences read like lunacy. It was in the course
of this debate that the celebrated dagger scene occurred which Gillray
has satirized in the picture on the following page. A wild tale reached
his ears of the manufacture of daggers at Birmingham for the use of
French Jacobins in England, and one of them was given him as a specimen.
It was an implement of such undecided form that it might have served as
a dagger, a pike-head, or a carving-knife. He dashed it upon the floor
of the House of Commons, almost hitting the foot of an honorable member,
and proceeded to declaim against the unhappy exiles in the highest style
of absurdity. "When they smile," said he, "I see blood trickling down
their faces; I see their insidious purposes; I see that the object of
all their cajoling is blood." A pause ensued after the orator had spoken
a while in this strain. "You have thrown down a knife," said Sheridan;
"where is the fork?" A shout of laughter followed this sally, which
relieved the suppressed feelings of the House, but spoiled the "effect"
of Mr. Burke's performance.
[Illustration: The Zenith of French Glory--A View in Perspective.
(Gillray, London, 1793.)]
[Illustration: The Estates. (Paris, 1789.)]
[Illustration: The New Calvary. (Paris, 1792.)
Louis XVI. crucified by the rebels; Monsieur and the Comte d'Artois
bound by the decrees of the factions; Robespierre, mounted upon the
Constitution, presents the sponge soaked in regicides' gall; the Queen,
overwhelmed with grief, demands speedy vengeance; the Duchess de
Polignac, etc.]
Public-domain text, read in full here on John Shaqi.
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