Caricature and Other Comic Art in All Times and Many Lands. — John Shaqi
Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
Besides the specimens given, there is a wolf growling at a snake
twisting itself round its hind-leg; there is "a grinning-match" between
a human head on an animal's body and a boar's head on a monkey's body;
there is a creature like a pea-hen, with two bodies, one neck, and two
dogs' heads; there is an animal with four bodies and one head; there is
a bearded man's face and a woman's on one neck, and the body has no
limbs, but an enormous tail; there is a turret, on the top of which a
monkey sits, and a savage below is aiming an arrow at him. In the
British Museum--that unequaled repository of all that is curious and
rare--there is the famous and splendid psalter of Richard II.,
containing many strange pictures in the taste of the period. On the
second page, for example, along with two pictures of the kind usual in
Catholic works of devotion, there is a third which represents an absurd
combat within lists between the court-fool and the court-giant. The
fool, who is also a dwarf, is belaboring the giant with an instrument
like those hollow clubs used in our pantomimes when the clown is to be
whacked with great violence. The giant shrinks from the blows, and the
king, pointing at the dwarf, seems to say, "Go it, little one; I bet
upon _you_."
[Illustration: From a French Prayer-book of the Thirteenth Century, in
the British Museum.]
Mr. Malcolm, who copied this picture from the original, where, he says,
it is most superbly finished, interprets it to be a caricature of the
famous combat between David and Goliath in the presence of King Saul and
his court. In the same mass-book there is a highly ridiculous
representation of Jonah on board ship, with a blue Boreas with cheeks
puffed out raising the tempest, and a black devil clawing the sail from
the yard. In selecting a few of the more innocent pictures from the
prayer-book of Queen Mary, daughter of Henry VIII. of England, Mr.
Malcolm gives expression to his amazement at the character of the
drawings, which he dared not exhibit to a British public! Was this book,
he asks, made on purpose for the queen? Was it a gift or a purchase? But
whether she bought or whether she accepted it, he thinks she must have
"delighted in ludicrous and improper ideas," or else "her inclination
for absurdity and caricature conquered even her religion, in defense of
which she spread ruin and desolation through her kingdom."
[Illustration: From Queen Mary's Prayer-book, A.D. 1553.]
Public-domain text, read in full here on John Shaqi.
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