Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
This is record, not gossip, not literature; and it may serve to indicate
the basis of truth there was for the countless allusions to the
dissoluteness of the clergy in the popular writings and pictures of the
century that formed Luther and the Lutherans.
[Illustration: Pastor and Flock. (From the Window of a French Church,
Sixteenth Century.)]
It is scarcely possible in the compass of a chapter to convey an idea of
the burst of laughter that broke the long spell of superstitious terror,
and opened the minds of men to receive the better light. Such works as
the "Decameron" of Boccaccio, which to modern readers is only
interesting as showing what indecency could be read and uttered by fine
ladies and gentlemen on a picnic in 1350, had one character that
harmonized with the new influence. Their tone was utterly at variance
with the voice of the priest. The clergy, self-indulgent, preached
self-denial; practicing vice, they exaggerated human guilt. But the
ladies and gentlemen of the "Decameron," while practicing virtue, made
light of vice, and brought off the graceful profligate victorious. Later
was circulated in every land and tongue the merry tale of "Reynard the
Fox," which children still cherish among the choicest of their literary
treasures. Reynard, who appears in the sculptures of so many convents
and in the illuminations of so many pious manuscripts, whom monks loved
better than their missal, exhibits the same moral: witty wickedness
triumphant over brute strength. The fox cheats the wolf, deludes the
bear, lies to King Lion, turns monk, gallops headlong up and down the
commandments, only to be at last taken into the highest favor by the
king and made Prime Minister. It is not necessary to discover allegory
in this tale. What made it potent against the spell of priestly
influence was the innocent and boisterous merriment which it excited,
amidst which the gloom evoked by priestly arts began to break away.
Innocent mirth, next to immortal truth, is the thing most hostile to
whatever is mingled with religion which is hostile to the interests of
human nature.
Public-domain text, read in full here on John Shaqi.
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