Caricature and Other Comic Art in All Times and Many Lands.Parton, James
History
Caricature and Other Comic Art in All Times and Many Lands.
Parton, James
Caricature -- History
And "Reynard," we must remember, was only the best and gayest of a large
class of similar fables that circulated during the childhood of Columbus
and of Luther. In one of the Latin stories given by Mr. Wright in his
"Selection," we have an account of the death and burial of the wolf, the
hero of the tale, which makes a most profane use of sacred objects and
rites, though it was written by a priest. The holy water was carried by
the hare, hedgehogs bore the candles, goats rang the bell, moles dug the
grave, foxes carried the bier, the bear celebrated mass, the ox read the
gospel, and the ass the epistle. When the burial was complete, the
animals sat down to a splendid banquet, and wished for another grand
funeral. Mark the moral drawn by the priestly author: "So it frequently
happens that when some rich man, an extortionist or a usurer, dies, the
abbot or prior of a convent of beasts [_i. e._, of men living like
beasts] causes them to assemble. For it commonly happens that in a great
convent of black or white monks [Benedictines or Augustinians] there are
none but beasts--lions by their pride, foxes by their craftiness, bears
by their voracity, stinking goats by their incontinence, asses by their
sluggishness, hedgehogs by their asperity, hares by their timidity
(because they were cowardly when there was no fear), and oxen by their
laborious cultivation of their land." Unquestionably this author
belonged to another order than those named in his tirade.
A book with original life in it becomes usually the progenitor of a line
of books. Brandt's "Ship of Fools," which was published when Luther was
eleven years old, gave rise to a literature. As soon as it appeared it
kindled the zeal of a noted preacher of Strasburg, Jacob Geiler by name,
who turned Brandt's gentle satire into fierce invective, which he
directed chiefly against the monks. The black friars, he said, were the
devil, the white friars his dame, and the others were their chickens.
The qualities of a good monk, he declared, were an almighty belly, an
ass's back, and a raven's mouth. From the pulpit, on another occasion,
he foretold a coming reformation in the Church, adding that he did not
expect to live to see it, though some that heard him might. The monks
taunted him with looking into the "Ship of Fools" for his texts instead
of the Scripture; but the people heard him eagerly, and one of his
pupils gave the public a series of his homely, biting sermons,
illustrated by wood-cuts, which ran through edition after edition.
Badius, a noted scholar of the time, was another who imitated the "Ship
of Fools," in a series of satirical pieces entitled "The Boats of
Foolish Women," in which the follies of the ladies of the period were
ridiculed.
[Illustration: Confessing to God. (Holbein, 1520.) Sale of Indulgences.]
Public-domain text, read in full here on John Shaqi.
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