England -- Social life and customs -- 19th century -- Fiction
Edward was moved in a very different way. He would have been magnanimous
and given up Cara--that is, having no real right to Cara, he might have
given up the youthful imagination of her which had always been his
favourite fancy, to his brother, with some wringing of the heart, but
with that compensation which youth has in the sublime sense of
self-sacrifice. But there is no bitterness greater in this world, either
for young or old, than that of giving up painfully to another something
which that other holds with levity and treats with indifference. To hear
Cara, the sacred young princess of his own fancy, spoken of lightly, and
the supreme moment of possible union with her characterised as ‘turning
off,’ was a downfall which made Edward half-frantic with pain and shame,
and indignation and impatience. She would be to Oswald only a
commonplace little wife, to be petted when he was in the humour,
standing very much lower than himself in his own good graces; whereas,
to Edward she would have been----! but it was Oswald, not Edward, whom
she had chosen. How strange they are! all those wonderful confusions of
humanity which depress the wisest, the blind jumps at fate, the foolish
choices, the passing over of the best to take the worst, which form the
ordinary course of existence everywhere, the poor young fellow thought,
in this first encounter with adverse events; and this was mingled with
that strange wonder of the tender heart to find itself uncomprehended
and rejected, while gifts much less precious than those it offers are
accepted, which is one of the most poignant pangs of nature:--and these
feelings surging dimly through Edward’s mind, filled him with a
despondency and pain beyond words. Indeed, he could not have told all
the bitterness of the vague heavy blackness which swallowed up the fair
world and everything lovely before him. It was not only that Cara had
(he thought) chosen Oswald instead of himself, but also that the lesser
love was preferred to the greater, and that the thing one man would have
worshipped was thrown to the careless keeping of another, as if it were
a thing of no price. The personal question and the abstract one twisted
and twined into one, as is general in the first trials of youth. He
himself unconsciously became to himself the symbol of true love
misjudged, of gold thrown away for pinchbeck--and Cara the symbol of
that terrible perennial mistake which is always going on from chapter to
chapter of the world’s history. Even, for he was generous in the very
pangs of that visionary envy, it added another pang of suffering to
Edward’s mind, that he could not but consider his brother as the
pinchbeck, so far as Cara at least was considered. While Oswald sat
smiling to himself through the fumes of his cigar, Edward threw his
window open and gazed out into the chill darkness of the winter night,
feeling the cold wind, which made him shiver, to be more in consonance
Public-domain text, read in full here on John Shaqi.
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