England -- Social life and customs -- 19th century -- Fiction
‘Ah!’ said Cara, drawing a long breath: the poetry had got into her
head--tears were coming into her eyes, filling them and then ebbing back
again somehow, for she would not shed them. She had no thought but for
‘Elaine,’ yet felt somehow, as youth has a way of doing, a soft
comparison between herself and Elaine, a wavering of identity--was it
that she too was capable of that ‘love of the moth for the star?’ Edward
watching her, felt that there was more poetry in Cara’s blue eyes than
in the Laureate; and no shame to Mr. Tennyson. Is it not in that tender
emotion, that swelling of the heart to all lofty and sorrowful, and
beautiful things, that poetry takes its rise? Cara being truly the
poet’s vision, even to her own touched and melting consciousness, was
all Elaine in her young lover’s eyes.
‘But, my dear, my dear!’ said Miss Cherry, ‘if poor Elaine had only
loved someone like herself, some young knight that could respond to her
and make her happy, oh, how much better it would have been! It makes my
heart ache: for Lancelot, you know, never could have loved her; though
indeed I don’t know why not, for men being middle-aged is no guarantee,’
Miss Cherry added, with a little sigh, ‘against their making fools of
themselves for young girls; but it would have been far more natural and
happier for her had she set her heart on someone of her own age, who
would have made her----’
‘Oh,’ cried Cara, ‘don’t say it over again! made her happy! did Elaine
want to be made happy? She wanted what was the highest and noblest, not
asking what was to become of her. What did it matter about her? It was
enough that she found out Lancelot without even knowing his name. I
suppose such a thing might be,’ said Cara, sinking her voice in poetic
awe, ‘as that Lancelot might come to one’s very door, and one never know
him. That would be worse, far worse, than dying for his sake.’
‘Oh, Cara, Lancelot was not such a very fine character after all,’ said
Miss Cherry, ‘and though I am not so clever about poetry as you are, I
have seen many a young girl taken in with an older man, who seemed
everything that was noble, but had a very sad past behind him that
nobody knew of; but after they are married, it is always found out. I
would rather, far rather, see _you_ with a young man of your own age.’
Public-domain text, read in full here on John Shaqi.
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