England -- Social life and customs -- 19th century -- Fiction
‘Yes; you see we’re all old maids here,’ said Miss Charity, with one of
her hearty laughs. Her handsome old face shone cool at the bottom of the
deep tunnel of her sun-bonnet, clear red and white, as if she had been
twenty; and with large, blue, undimmed eyes, from which little Cara had
taken hers, and not from either father’s or mother’s. Cara, indeed, was
considered by everybody ‘the very image’ of Miss Charity, and copied her
somewhat, it must be allowed, in a longer step and more erect carriage
than was common to little girls. Miss Charity put down her scissors in
her other basket, while Miss Cherry bent her reflective and troubled
countenance over the roses, and drew off her big garden gloves, and led
the way to the arbour or bower, which was not so cockney an erection as
its name portended. At that height, under the shadow of a group of big
fragrant limes, in which two openings cleverly cut revealed the broad
beautiful plain below, one with St. George’s noble Castle in the midst
of the leafy frame, the air was always fresh and sweet. By stretching
your neck, as all the young Burchells knew, you could see the dusty road
below, and the Rectory lying deep down in the shadow of the trees; but
not a speck of dust made its way up to the soft velvet lawn, or entered
at the ever-opened windows. ‘Ah, yes, there’s our poor little place,
children; a very different place from this!’ Mrs. Burchell said,
plaintively, as she sat down and began to fan herself once more.
‘You once thought it a very nice little place, Maria,’ said Miss
Charity. ‘I am afraid you are getting tired of the rector, good man----
’
‘I?’ said Mrs. Burchell, ‘tired of my husband! You little know him or
me, or you would not say such a thing. Nobody except those who have a
husband like mine can understand what a blessing it is----’
‘We don’t keep anything of the kind up here,’ said Miss Charity; ‘and
here comes the tea. Cherry has gone in to have a cry over her roses.
When one has not one thing to trouble about, one finds another. You
because your house is not so big as ours; she because I cut the roses
too short. We are but poor creatures, the best of us. Well, what’s the
news, Maria? I always expect a budget of news when I see you.’
Public-domain text, read in full here on John Shaqi.
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