England -- Social life and customs -- 19th century -- Fiction
‘Now I never could do anything like this,’ said Mrs. Meredith, looking
round. ‘I am fond of china too; but I never know what is good and what
is bad; and sometimes I see your papa take down a bit which I think
beautiful, and look at it with such a face. How is one to know,’ she
said, laughing merrily, ‘if one is not clever? I got the book with all
the marks in it, but, my dear child, I never recollect one of them; and
then such quantities of pretty china are never marked at all. Ah, I can
understand why he doesn’t come here! I think I would make little
changes, Cara. Take down that, for instance’--and she pointed at random
to the range of velvet-covered shelves, on the apex of which stood the
Buen Retiro cup--‘and put a picture in its place. Confuse him by a few
changes. Now stop: is he in? I think we might do it at once, and then we
could have him up.’
Cara shrank perceptibly. She drew herself a little away from the
stranger’s side. ‘You are frightened,’ cried Mrs. Meredith, with a soft
laugh. ‘Now, Cara, Cara, this is exactly what I tell you must not be.
You don’t know how good and gentle he is. I can talk to him of
anything--even my servants, if I am in trouble with them; and every
woman in London, who is not an angel, is in trouble with her servants
from time to time. Last time my cook left me---- Why, there is nothing,’
said Mrs. Meredith, reflectively, ‘of which I could not talk to your
papa. He is kindness itself.’
This was meant to be very reassuring, but somehow it did not please
Cara. A half resentment (not so distinct as that) came into her mind
that her father, who surely belonged to her, rather than to any other
person on the face of the earth, should be thus explained to her and
recommended. The feeling was natural, but painful, and somewhat absurd,
for there could be no doubt that she did not know him, and apparently
Mrs. Meredith did; and what she said was wise; only somehow it jarred
upon Cara, who was sensitive all over, and felt every touch, now here,
now there.
Public-domain text, read in full here on John Shaqi.
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