Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
For many years, the higher intellectual training of Americans was
obtained almost entirely through periods of study in Europe, especially
in Germany. Men, of whom Everett, Ticknor, Cogswell, and Bancroft were
the pioneers, beginning in 1818 or thereabouts, discovered that Germany
and not England must be made our national model in this higher education;
and this discovery was strengthened by the number of German refugees,
often highly trained men, who sought this country for political safety.
The influence of German literature on the American mind was undoubtedly
at its highest point half a century ago, and the passing away of the
great group of German authors then visible was even more striking than
have been the corresponding changes in England and America; but the
leadership of Germany in purely scientific thought and invention has
kept on increasing, so that the mental tie between that nation and our
own was perhaps never stronger than now.
In respect to literature, the increased tendency to fiction, everywhere
visible, has nowhere been more marked than in America. Since the days of
Cooper and Mrs. Stowe, the recognized leader in this department has been
Mr. Howells; that is, if we base leadership on higher standards than that
of mere comparison of sales. The actual sale of copies in this department
of literature has been greater in certain cases than the world has before
seen; but it has rarely occurred that books thus copiously multiplied
have taken very high rank under more deliberate criticism. In some cases,
as in that of Bret Harte, an author has won fame in early life by the
creation of a few striking characters, and has then gone on reproducing
them without visible progress; and this result has been most apt to occur
wherever British praise has come in strongly, that being often more
easily won by a few interesting novelties than by anything deeper in the
way of local coloring or permanent delineation.
IV
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