Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
It is sometimes said that there was never yet a great migration which did
not result in some new form of national genius; and this should be true
in America, if anywhere. He who lands from Europe on our shores perceives
a difference in the sky above his head; the height seems greater, the
zenith farther off, the horizon wall steeper. With this result on the
one side, and the vast and constant mixture of races on the other, there
must inevitably be a change. No portion of our immigrant body desires to
retain its national tongue; all races wish their children to learn the
English language as soon as possible, yet no imported race wishes its
children to take the British race, as such, for models. Our newcomers
unconsciously say with that keen thinker, David Wasson, “The Englishman
is undoubtedly a wholesome figure to the mental eye; but will not twenty
million copies of him do, for the present?” The Englishman’s strong point
is his vigorous insularity; that of the American his power of adaptation.
Each of these attitudes has its perils. The Englishman stands firmly on
his feet, but he who merely does this never advances. The American’s
disposition is to step forward even at the risk of a fall. Washington
Irving, who seemed at first to so acute a French observer as Chasles
a mere reproduction of Pope and Addison, wrote to John Lothrop Motley
two years before his own death, “You are properly sensible of the high
calling of the American press,—that rising tribunal before which the
whole world is to be summoned, its history to be revised and rewritten,
and the judgment of past ages to be canceled or confirmed.” For one who
can look back sixty years to a time when the best literary periodical
in America was called “The Albion,” it is difficult to realize how the
intellectual relations of the two nations are now changed. M. D. Conway
once pointed out that the English magazines, such as the “Contemporary
Review” and the “Fortnightly,” were simply circular letters addressed
by a few cultivated gentlemen to the fellow members of their respective
London clubs. Where there is an American periodical, on the other hand,
the most striking contribution may proceed from a previously unknown
author, and may turn out to have been addressed practically to all the
world.
Public-domain text, read in full here on John Shaqi.
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