Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
So far as the intellectual life of a nation exhibits itself in
literature, England may always have one advantage over us,—if advantage
it be,—that of possessing in London a recognized publishing centre,
where authors, editors, and publishers are all brought together. In
America, the conditions of our early political activity have supplied us
with a series of such centres, in a smaller way, beginning, doubtless,
with Philadelphia, then changing to New York, then to Boston, and again
reverting, in some degree, to New York. I say “in some degree” because
Washington has long been the political centre of the nation, and tends
more and more to occupy the same central position in respect to science,
at least; while Western cities, notably Chicago and San Francisco,
tend steadily to become literary centres for the wide regions they
represent. Meanwhile the vast activities of journalism, the readiness of
communication everywhere, the detached position of colleges, with many
other influences, decentralize literature more and more. Emerson used to
say that Europe stretched to the Alleghanies, but this at least has been
corrected, and the national spirit is coming to claim the whole continent
for its own.
There is undoubtedly a tendency in the United States to transfer
intellectual allegiance, for a time, to science rather than to
literature. This may be only a swing of the pendulum; but its temporary
influence has nowhere been better defined or characterized than by the
late Clarence King, formerly director of the United States Geological
Survey, who wrote thus a little before his death: “With all its novel
modern powers and practical sense, I am forced to admit that the purely
scientific brain is miserably mechanical; it seems to have become a
splendid sort of self-directed machine, an incredible automaton, grinding
on with its analyses or constructions. But for pure sentiment, for all
that spontaneous, joyous Greek waywardness of fancy, for the temperature
of passion and the subtler thrill of ideality, you might as well look to
a wrought-iron derrick.”
Public-domain text, read in full here on John Shaqi.
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