Carlyle's laugh, and other surprisesHigginson, Thomas Wentworth
History
Carlyle's laugh, and other surprises
Higginson, Thomas Wentworth
American literature -- History and criticism; Authors, American
It is true that Thoreau had Emerson as the editor of four of his
posthumous volumes; but it is also true that he had against him the
vehement voice of Lowell, whose influence as a critic was at that
time greater than Emerson’s. It will always remain a puzzle why it was
that Lowell, who had reviewed Thoreau’s first book with cordiality in
the “Massachusetts Quarterly Review,” and had said to me afterwards,
on hearing him compared to Izaak Walton, “There is room for three or
four Waltons in Thoreau,” should have written the really harsh attack
on the latter which afterwards appeared, and in which the plain facts
were unquestionably perverted. To transform Thoreau’s two brief years
of study and observation at Walden, within two miles of his mother’s
door, into a life-long renunciation of his fellow men; to complain of
him as waiving all interest in public affairs when the great crisis of
John Brown’s execution had found him far more awake to it than Lowell
was,—this was only explainable by the lingering tradition of that savage
period of criticism, initiated by Poe, in whose hands the thing became
a tomahawk. As a matter of fact, the tomahawk had in this case its
immediate effect; and the English editor and biographer of Thoreau has
stated that Lowell’s criticism is to this day the great obstacle to the
acceptance of Thoreau’s writings in England. It is to be remembered,
however, that Thoreau was not wholly of English but partly of French
origin, and was, it might be added, of a sort of moral-Oriental, or
Puritan Pagan temperament. With a literary feeling even stronger than
his feeling for nature,—the proof of this being that he could not, like
many men, enjoy nature in silence,—he put his observations always on the
level of literature, while Mr. Burroughs, for instance, remains more upon
the level of journalism. It is to be doubted whether any author under
such circumstances would have been received favorably in England; just
as the poems of Emily Dickinson, which have shafts of profound scrutiny
that often suggest Thoreau, had an extraordinary success at home, but
fell hopelessly dead in England, so that the second volume was never even
published.
Public-domain text, read in full here on John Shaqi.
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