Carmen (Fictitious character) -- Fiction; Spain -- Social life and customs -- 19th century -- Fiction
“I could hardly restrain my tears. I told him I would come back, and
hurried away. I went and lay down on the grass until I heard the bell.
Then I went back to the chapel, but I stayed outside it. When he had
said the mass, I went back to the _venta_. I was hoping Carmen would
have fled. She could have taken my horse and ridden away. But I found
her there still. She did not choose that any one should say I had
frightened her. While I had been away she had unfastened the hem of her
gown and taken out the lead that weighted it; and now she was sitting
before a table, looking into a bowl of water into which she had just
thrown the lead she had melted. She was so busy with her spells that at
first she didn’t notice my return. Sometimes she would take out a bit of
lead and turn it round every way with a melancholy look. Sometimes she
would sing one of those magic songs, which invoke the help of Maria
Padella, Don Pedro’s mistress, who is said to have been the _Bari
Crallisa_--the great gipsy queen.*
* Maria Padella was accused of having bewitched Don Pedro.
According to one popular tradition she presented Queen
Blanche of Bourbon with a golden girdle which, in the eyes
of the bewitched king, took on the appearance of a living
snake. Hence the repugnance he always showed toward the
unhappy princess.
“‘Carmen,’ I said to her, ‘will you come with me?’ She rose, threw away
her wooden bowl, and put her mantilla over her head ready to start. My
horse was led up, she mounted behind me, and we rode away.
“After we had gone a little distance I said to her, ‘So, my Carmen, you
are quite ready to follow me, isn’t that so?’
“She answered, ‘Yes, I’ll follow you, even to death--but I won’t live
with you any more.’
“We had reached a lonely gorge. I stopped my horse.
“‘Is this the place?’ she said.
“And with a spring she reached the ground. She took off her mantilla and
threw it at her feet, and stood motionless, with one hand on her hip,
looking at me steadily.
“‘You mean to kill me, I see that well,’ said she. ‘It is fate. But
you’ll never make me give in.’
“I said to her: ‘Be rational, I implore you; listen to me. All the
past is forgotten. Yet you know it is you who have been my ruin--it is
because of you that I am a robber and a murderer. Carmen, my Carmen, let
me save you, and save myself with you.’
“‘Jose,’ she answered, ‘what you ask is impossible. I don’t love you
any more. You love me still, and that is why you want to kill me. If
I liked, I might tell you some other lie, but I don’t choose to give
myself the trouble. Everything is over between us two. You are my _rom_,
and you have the right to kill your _romi_, but Carmen will always be
free. A _calli_ she was born, and a _calli_ she’ll die.’
“‘Then, you love Lucas?’ I asked.
“‘Yes, I have loved him--as I loved you--for an instant--less than I
loved you, perhaps. But now I don’t love anything, and I hate myself for
ever having loved you.’
Public-domain text, read in full here on John Shaqi.
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