Bildungsromans; Man-woman relationships -- Fiction; Scotland -- Social life and customs -- Fiction
In the vestibule Alfie was commanded to produce the tickets. There was a
terrible moment of suspense while Alfie, nearly as crimson as the plush
all around him, dug down into one pocket after another. Were the tickets
lost? Edie and Jenny looked daggers. No; there they were: Row A, numbers
7, 8, 9, and 10. "Upstairs, please," said a magnificent gentleman in
black and gold. "This way, please," said a fuzzy-haired attendant. The
children walked over the thick carpet in awed silence. A glass door
swung open. They were in the auditorium of the Grand Theater, Islington,
in the very front row, by all that was fortunate; and, having bestowed
their hats and coats beneath the elegant and comfortable tip-up chairs,
they hung over the red-plush ledge of the circle and gazed down into
what seemed the whole of the population of London. The orchestra had not
yet come in. Down in the pit the people were laughing and talking. Up in
the gallery they were laughing and talking. Babies were crying; mothers
were comforting them. Everybody down below seemed to be eating oranges
or buns or chocolate. Alfie let his programme flutter down, and Jenny
nearly burst into tears because she thought they would all be turned out
of the theater.
The whole of the vast audience was there for enjoyment. Enjoyment was in
the air like a great thrill of electricity. What could be more
magnificent than the huge drop curtain, with its rich landscape and
lightly clothed inhabitants? What could be more exciting than the
entrance, one by one, of the amazingly self-possessed musicians?
The orchestra was tuning up. The conductor appeared to the welcoming
taps of fiddle-bows. One breathless moment he held aloft his baton and
looked round at his attentive company, then altogether the fiddles and
the drums and the flutes and the cornets, the groaning double-bass and
the 'cello and the clarinets and the funny little piccolo and the big
bassoon and the complicated French horns and the trombones and the
triangle (perhaps the best-enjoyed instrument of all) and the stupendous
cymbals started off with the overture of the Christmas pantomime of the
Grand Theater, Islington.
Could it be borne, this enthusiastic overture? Was it not almost too
much for children, this lilting announcement of mirth and beauty? Would
not Jenny presently fall head-foremost into the pit? Would not Alfie be
bound to break the seat by his perpetual leaps into the air? Would not
Edie explode in her anxiety to correct Jenny, devour bull's-eyes and see
more of a mysterious figure that kept peering through a little square
hole in the corner of the proscenium?
The orchestra stopped for a moment. A bell had rung, shrill and pregnant
with great events. Green lights appeared, and red lights: there was
hardly a sound in the house. Was anything the matter?
"They're just ringing up," said Mr. Vergoe.
Slowly the rich landscape and lightly clothed inhabitants vanished into
the roof.
"Oh!" exclaimed Jenny.
Public-domain text, read in full here on John Shaqi.
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