Bildungsromans; Man-woman relationships -- Fiction; Scotland -- Social life and customs -- Fiction
Jenny, with half a screwed-up eye on the pole, made a second attempt;
the pole promptly swung round and caught her on the right shoulder. She
began to cry and stamp.
"I can't do it; I can't do it."
"You will do it. You shall do it."
Once more Jenny started, and this time succeeded so well that it was
only at the very end of the new step that Madame angrily pushed the pole
between her pretty ankles, rattling it from side to side to show her
contempt for Jenny's obstinacy.
"For it is obstinacy," she declared. "It is not stupidity. Bah! well can
you do it, if you like."
So Madame conquered in the end with her long pole and her sharp tongue,
and Jenny learned the new and difficult step.
"Listen to me," said the former. "Do you not wish to become a Prima
Ballerina?"
"Yes," murmured Jenny, the sooner to be out of Madame's reach, and back
with the boys in Islington.
"You have not the banal smile of the _danseuse_ who takes her strength
from her teeth. You have not the fat forearm or dreadful wrist of those
idiots who take their strength from them, and, thanks to me, you might
even become a Prima Ballerina Assoluta."
The words of an old comic song about a girl called Di who hailed from
Utah and became a Prima Ballerina Assoluta returned, with its jingling
tune, to Jenny's head, while Madame was talking.
"Whistle not while I talk, inattentive one," cried her mistress, banging
the pole down with a thump.
"Have you dreams of success, of bouquets and sables and your own
carriage? Look around you, lazy one. Look at the great Taglioni whom
emperors and kings applauded. Yet you, miserable child, you can only now
make one 'cut.' Why do you come here unless you have ambition to
succeed, to be _maitresse_ of your art, to sweep through the stage door
with silk dresses? Do I choose you from the others to dance to me,
unless I wish your fortune--eh? If, after this, you work not, I finish
with you. I let you go your own pig-headed way."
Public-domain text, read in full here on John Shaqi.
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