Bildungsromans; Man-woman relationships -- Fiction; Scotland -- Social life and customs -- Fiction
Mr. Vergoe sang "Champagne Charlie" and "In Her Hair She Wore a White
Camelia," and Mr. Raeburn joined in the chorus of the former with a note
of personal satisfaction, while Mrs. Raeburn always said:
"Champagne Charlie _is_ his name,
Half a pint of porter _is_ his game."
Neither Miss Vergoe nor Miss Vaughan would oblige with a dance, to the
great disappointment of Mr. Smithers, who had hoped for a solution of
many sartorial puzzles from such close proximity to two actresses.
Jenny, however, was set on the table when the plates had been cleared
away, and danced a breakdown to the great embarrassment of Mrs. Purkiss,
who feared for pasty-faced Percy and Claude's sense of the shocking.
Percy recited Casabianca, and Claude, though he did not recite himself,
prompted his brother in so many of the lines that it became, to all
purposes, a duet. Edie giggled in a corner with Mr. Smithers, and told
the latter once or twice that he was a sauce-box and no mistake. Mr.
Smithers himself sang "Queen of My Heart," in a mildly pleasant tenor
voice, and, being encored, sang "Maid of Athens," and told Miss Vergoe,
in confidence, that several persons had passed the remark that he was
very like Lord Byron. To which Miss Vergoe, with great want of
appreciation, replied, "Who cares?" and sent Mr. Smithers headlong back
to the readier admiration of Edie.
It was a very delightful evening, indeed, whose most delightful moment,
perhaps, was Mrs. Purkiss's retirement with Percy and Claude, leaving
the rest of the party to settle themselves round the kitchen fire, roast
chestnuts, eat oranges and apples, smoke, and drink the various drinks
that became their ages and tastes.
"And what's Jenny going to call herself on the stage?" asked Mr. Vergoe.
"What _does_ the man mean?" said Mrs. Raeburn.
"Well, she must have a stage name. Raeburn is too long."
"It's no longer than Vergoe," argued Mrs. Raeburn, looking at Lilli.
"Oh, but she already had a stage name--so to speak," explained the old
man proudly. "What's Jenny's second name?"
"Pearl," said Mrs. Raeburn.
"Oh, mother, you needn't go telling everybody."
"There you are," said Charlie, who had waited for this moment fourteen
years. "There you are; I told you she wouldn't thank you for it when you
would give it her. Pearl! Whoever heard? Tut-tut!"
"Why shouldn't she call herself Jenny Pearl--Miss Jenny Pearl?" said Mr.
Vergoe. "If it isn't a good Christian name, it's a very showy stage
name, as it were--or wait a bit--what about Jenny Vere? There was a
queen or something called Jennivere--no now, I come to think of it, that
was Guinevere."
"I can't think whatever on earth she wants to call herself anything
different from what she is," persisted the mother.
"Well, I don't know either, but it's done. Even Lilli here, she spells
her first name differently--L-i-double l-i, and Miss Vaughan here, I'll
bet Vaughan ain't her own name--in a manner of speaking."
Public-domain text, read in full here on John Shaqi.
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