Caroline the Illustrious, vol. 2 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and timeWilkins, W. H. (William Henry)
History
Caroline the Illustrious, vol. 2 (of 2) : $b Queen-Consort of George II. and sometime Queen-Regent; a study of her life and time
Wilkins, W. H. (William Henry)
Caroline, Queen, consort of George II, King of Great Britain, 1683-1737
These ceremonies over the King and Queen proceeded with their dinner.
“The whole solemnity,” we read, “was performed with the greatest
splendour and magnificence, and without any disorder; and what was most
admired in the hall were the chandeliers, branches and sconces, in
which were near two thousand wax candles, which being lighted at once,
yielded an exceeding fine prospect.” Their Majesties did not leave
Westminster Hall until eight o’clock in the evening, when they returned
to St. James’s Palace to rest after their labours. But their loyal
subjects prolonged the rejoicings far into the night with bonfires,
illuminations, ringing of bells, and other demonstrations of joy.
Lady Mary Wortley Montagu, who was present at the coronation, wrote
a lively account of the scene, though she was more concerned with
the deportment of her friends and acquaintances than with details of
the ceremonial. She comments on the “great variety of airs” of those
present. “Some languished and others strutted,” she writes, “but a
visible satisfaction was diffused over every countenance as soon as the
coronet was clapped on the head. But she that drew the greater number
of eyes was indisputably Lady Orkney. She exposed behind a mixture of
fat and wrinkles, and before a very considerable protuberance which
preceded her. Add to this the inestimable roll of her eyes, and her
grey hairs, which by good fortune stood directly upright, and ’tis
impossible to imagine a more delightful spectacle. She had embellished
all this with considerable magnificence, which made her look as big
again as usual; and I should have thought her one of the largest
things of God’s making, if my Lady St. John had not displayed all her
charms in honour of the day. The poor Duchess of Montrose crept along
with a dozen black snakes playing round her face, and my Lady Portland,
who has fallen away since her dismissal from Court,[8] represented very
finely an Egyptian mummy embroidered over with hieroglyphics.”[9]
The magnificence of the coronation was the talk of the town for a
long time. As London was very full of persons of quality who had come
from far and near to attend it, the theatre of Drury Lane seized the
opportunity to give a highly ornate performance of _King Henry the
Eighth_, with the coronation of Anne Boleyn at the end of the play, a
scene on which £1,000 (an unheard of sum to spend upon mounting a scene
in those days) was expended. The scene at Drury Lane rivalled in mock
splendour the ceremonial at the Abbey. All the town flocked to see it,
both those who had been present at the real coronation and those who
had not. The King and Queen and the young princesses came more than
once, and graciously expressed their approval. “The Coronation” was
repeated in the provinces for a year or two later.
Public-domain text, read in full here on John Shaqi.
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