Carranza, Venustiano, 1859-1920; Mexico -- History -- Revolution, 1910-1920; Mexico -- Politics and government -- 1910-1946
_Pearson’s Magazine_ printed six years ago a fulsome life of Diaz. What
General Diaz thought of it is told in an interview between Ireneo Paz,
a Mexican newspaperman and the President who were friends for more than
sixty years. Don Ireneo Paz asked the President: “I have been wanting
to ask you if that interview which the papers published a few months
ago was authentic; that one which is said to have taken place between
yourself and one Creelman, an American journalist?”
“What surprises me is that sagacious men like you should have been
capable of giving credit to such folly (à semejante paparrucha),”
replied Diaz.
“Because I did not believe it, I asked you if it was authentic.”
“It’s as true as a dead child. You know me too well to believe that
I could stroll for hours upon the terrace of Chapultepec, exhibiting
the white of my eyes and opening my nostrils excessively in order
that the Yankee reporter may be able to give wings to his fancy. What
happened was this: A friend of mine, a member of my cabinet, came to
read me the article which was already manufactured (confeccionado) for
an American publication. It didn’t seem bad to me, or rather it seemed
very good, because without compromising me much it lent a lustre to
my antecedents, and put me on a good footing for the future, so that
it gave me all the facilities which I desired, whether to continue
sacrificing myself for the Fatherland, or to shake off the dust thereof
(zafarme) in time if things should blow into a whirlwind (à ponerse
turbias). I acknowledge to you that I thought the writing was so well
dressed up, so much in conformity with what are not but should be my
profoundest thoughts, so seemly for our luckless proletariat, that I
accepted it unhesitatingly as if it had been inspired by myself, not
making more than a very few modifications on some entirely Yankee
points of view which would have put me in a very ridiculous position,
and I gave my consent to two things:--that it should be published in
English and Spanish, and that it should be amply paid for.”
“About how much was the cost of this work?”
“Some fifty thousand pesos.” (Como unos cincuenta mil pesos.)[3]
Public-domain text, read in full here on John Shaqi.
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