and a nobleman, some thirty years older than myself, too, of high rank and large estate, assured me that it was his usual conveyance to and from college accompanied by a trusty servant or private tutor.” The ordinary _jaunting car_ and the larger _bian_—the invention of Bianconi, a rich tradesman in Dublin, though for many years an itinerant dealer—hardly differed in points of construction from English carriages, though the passengers sat back to back on a seat that ran parallel to the shafts. In Wales the _market cart_ was even more primitive than the noddy of Ireland. This was a low, two-wheeled, springless box of an affair, in which you sat as best you could on the boards. There was no covering at all. A rail at the back, extending some way along the sides, helped to prevent you from falling out behind, if the horse gave a sudden lurch forward. Whilst European carriages were thus taking on a soberer aspect, Eastern coaches were maintaining all their old magnificence. The Maharajah of Mysore, to take one instance, travelled in a truly marvellous elephant carriage in the early years of the nineteenth century. “Its interior was a double sofa for six persons, covered with dark green velvet and gold, surmounted by an awning of cloth of gold, in the shape of two small scalloped domes, meeting over the centre, and surrounded by a richly ornamented verandah, supported by light, elegant, fluted gilt pillars. The whole was capable of containing sixty persons, and was about twenty-two feet in height. It moved on four wheels, the hinder ones eight feet in diameter, with a breadth of twelve feet between them. It was drawn by six immense elephants, an exact match in size, with a driver on each, harnessed to the carriage by traces, as in England, and their huge heads covered with a sort of cap made of richly embroidered cloth. The pace at which the elephants moved was a slow trot, of about seven miles an hour—they were very steady, and the springs of the coach particularly easy. The shape of the body was that of an extremely elegant flat scallop-shell, painted dark green and gold. This magnificent carriage was the production of native workmen, assisted by a half-caste Frenchman.” Even this vehicle, however, was eclipsed by the state carriage of a ruling Burmese chief, captured by the British in 1824. “This carriage presented one entire blaze of gold, silver, and precious stones; the last-named amounting to many thousands, including diamonds, rubies, blue and white sapphires, emeralds, amethysts, garnets, topazes, crystals, and the curious and rare stones known as cat’s eyes. The carriage stood nearly thirty feet in height,” and was drawn by elephants. “In form and construction,” says Croal, “in its elaborate and superior carving, and its grand and imposing effect, this coach takes rank as one of the most splendid equipages in existence.”