Carry On! A Story of the Fight for Bagdad — John Shaqi
Carry On! A Story of the Fight for BagdadStrang, Herbert
General
Carry On! A Story of the Fight for Bagdad
Strang, Herbert
World War, 1914-1918 -- Campaigns -- Iraq -- Juvenile fiction
Before Burnet laid himself down that night on his humble couch in
Firouz Ali's house the plan for his departure had been thoroughly
discussed. Among the barber's friends and agents was one Ibrahim, once
a prosperous owner of camels, which he hired out to merchants or
pilgrims. Since the war, however, all his camels but two had been
commandeered by the Turks; his business was ruined; and he now employed
himself in picking up camels from the remoter tribes in the Arabian
desert, and selling them to the army authorities at a miserable profit.
He had adopted this occupation to cover his real business, which was to
keep in touch with the revolted chiefs at Mecca and Medina and to act
as a travelling link between them and Firouz Ali, the centre of the
secret revolutionary movement in Bagdad.
Firouz Ali arranged that Burnet should become Ibrahim's temporary
assistant. Having lost no opportunity of belittling the intelligence
of his new apprentice, the barber would find it easy to explain to any
one who was curious enough to enquire, that the lad had shown himself
hopelessly inefficient, and gone to try his luck as a camel-driver.
Burnet would accompany Ibrahim to Kerbela and Meshed Ali, and thence
make the best of his way to the _tell_ of Tukulti-Ninip, in good time,
he hoped, for his appointment with Captain Ellingford.
Next day he did not leave the barber's house, but employed himself in
writing a letter. Curiously enough, it was addressed to himself, and
in Arabic; and though of no great length, its composition occupied
several hours. The paper on which it was written was that thin sheet
which he had several times laid over his map of Bagdad and the
neighbourhood and marked with small dots, which formed a haphazard
pattern like the stars in the firmament. Written Arabic, as every one
knows, is a series of strokes and curves and dots, like a compacter
sort of shorthand; and the reason why this simple letter was a work of
long labour was that the dots already marked on the paper had to be
incorporated, in the most natural way possible, with the invented
message. When the letter was finished, only a very observant eye would
have noticed that some of the dots were slightly heavier than the rest.
No one would have suspected that only these dots were of the least
importance: the letter existed for them.
It read somewhat as follows:
"To my dear son Yusuf, greeting. My heart is sore, yearning for you,
my sweet son, for a sight of your face, round as the moon, and your
eyes, like raisins in a cake. I hope that you have not shed your
bright blood by careless handling of your uncle's razors, and I pray
that you may become rich enough to give your sister a good dower, and
that you will attain as high a renown as my famous brother himself.
Blessing and peace be with you. Written by the hand of the mullah for
your father and mother."
"That'll do, if I'm collared," thought Burnet, as he tucked the letter
into his girdle.
Public-domain text, read in full here on John Shaqi.
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