American fiction -- 20th century; Short stories, American
I could not resist the retort. A dull red crept slowly up her neck and
face; a pallid, olive-tinted face, beautiful in itself, beautiful for
its oval contour and broad brow, and frame of black hair; beautiful in
itself, and yet dominated and outdone by the lustrous, restless beauty
of the dark eyes wherewith she held me more surely captive than by
virtue of the pistol.
“You will come in,” she said, “and sit there.” She indicated a seat
beside a central table. “But first you will kindly let me have whatever
weapons you may possess.” She took my revolver, examined it, and put her
own in the breast of her gown. “Now you may put your hands down,” she
said, “your arms must ache by now. Sit down.”
I sat. She stood and looked at me for a moment.
“I am wondering what you are going to do with me,” I ventured.
In all of her quick actions, and in the tones of her voice, there was
evident a most unnatural sort of strain. She may well have been excited;
that was only to be expected in the circumstances. But the repressed
excitement in this woman's manner was not that of a woman who is forcing
herself to keep her courage up; not that of a woman who would like to
scream; but a steadier nervous energy which seemed to burn in her like a
fire, to escape from her finger tips, and almost to crackle in her
hair; an intensity that was vibrant. I marveled. Most women would have
screamed at the advent of a man in the dead of night; screamed and
fainted. Or the ones who would not, and who were armed as she, would
ordinarily have been inclined to shoot, and at once; or immediately to
have given the alarm. She had done none of these things. She had merely
taken me captive. She had set me down in a chair at the center of the
room. She had not roused the house. And now she stood looking at me with
a trace of abstraction in her manner; looking at me, for the moment,
less as if I were a human being than as if I were a factor in some
mathematical problem which it was the immediate task of that active,
high-keyed brain of hers to solve. And there was a measure of irony in
her glance, as if she alone tasted and enjoyed some ulterior jest.
“I am wondering,” I repeated, “what you are going to do with me.”
She sat down at the opposite side of the table before she replied.
“I believe,” she said slowly, “that I have nearly made up my mind what
to do with you.”
“Well?” I asked.
But she said nothing, and continued to say nothing. I looked at her and
her diamonds--the diamonds I had come after!--and wondered again why she
was wearing them; wondered why she had tricked herself out as for
some grand entertainment. And as the ignominious result of my night's
expedition pressed more sharply against my pride I could have strangled
her through sheer disappointment and mortification. The pistol she held
was the answer to that impulse. But what was the answer to her hesitancy
in alarming the house? Why did she not give me up and be done with me?
Public-domain text, read in full here on John Shaqi.
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