American fiction -- 20th century; Short stories, American
Looney did not know much, anyhow. Likely he would never have known much,
in the most favorable circumstances. And the circumstances under which
he had passed his life were scarcely conducive to mental growth. He
could remember, vaguely, that he had not always been called Looney
Hogan. There had been a time when he was called Kid Hogan. Something had
happened inside his head one day, and then there had come a period of
which he remembered nothing at all; after that, when he could remember
again, he was not Kid any more, but Looney. Perhaps some one had hit him
on the head. People were always hitting him, before he knew Slim. And
now that Slim was gone, people were always hitting him again. When he
was with Slim, Slim had not let people hit him--often. So he must find
Slim again; Slim, who was the only God he had ever known.
In the course of time he became known, in his own queer world, from
Baltimore to Seattle, from Los Angeles to Boston, as Slim's Lost
Mutt, or as Looney the Mutt. Looney did not resent being called a
dog, particularly, but he never called himself “The Mutt”; he stuck to
“Looney”; Slim had called him Looney, and Looney must, therefore, be
right.
The humors of Looney's world are not, uniformly, kindly humors. Giving
Looney the Mutt a “bum steer” as to Slim's whereabouts was considered a
legitimate jest.
“Youse ain't seen Slim Matchett anywheres?” he would ask of hobo or
wobbly, working stiff or yeggman, his faded pale-blue eyes peering from
his weather-worn face with the same anxious intensity, the same eager
hope, as if he had not asked the question ten thousand times before.
And the other wanderer, if he were one that knew of Looney the Mutt and
Looney's quest would answer, like as not:
“Slimmy de Match? Uh-huh! I seen Slim last mont' in Chi. He's lookin'
fer youse, Looney.” One day the Burlington Crip, who lacked a hand, and
who looked so mean that it was of common report that he had got sore at
himself and bitten it off, varied the reply a bit by saying:
“I seen Slim las' week, an' he says: 'Where t' hell's dat kid o' mine?
Youse ain't seen nuttin' o' dat kid o' mine, has you, Crip? Dat kid o'
mine give me de slip, Crip. He lammistered, and I ain't seen him since.
If youse gets yer lamps on dat kid o' mine, Crip, give him a wallop on
his mush fer me, an' tell him to come an' find me an' I'm gonna give him
another one.'”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account